Blog fun
#561: Thinking Too Precisely on th’ Event – Clued and Unclued Detective Fiction, or: The Active and the Passive Detective-Reader
August is my summer holiday, and I’m contributing to the slow death of the planet by taking a few breaks here and there, so might not be as hot in the comments as usual. But the nature of what we mean when we say “GAD” has been on my mind for a while, so here goes nothing.
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#550: Little Fictions – Curiosities from Adey: ‘The Phantom Killer’ (1946) and ‘The Impossible Crime’ (1946) by Nigel Morland, A Play-Along-at-Home Experiment
Something a little different this week, potential threats of legal action notwithstanding.
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#539: The Origin of Evil – Contrasting Malice Aforethought (1931) by Francis Iles with The Colour of Murder (1957) by Julian Symons
Genre is essentially the formalisation of deja vu. Those of us who return to — or avoid — particular genres do so because of the essential ingredients that recur there, whether through implicit rules or otherwise.
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#533: “Magicians have an advantage; they never have to reveal the trick” – An Interview with James Scott Byrnside
Back in December 2015 I read and reviewed Matt Ingwalson’s first two self-published Owl and Raccoon novellas and, impressed with their quality, undertook what has since become my Adventures in Self-Publishing in which I work through impossible crime fiction following a non-trad route to its audience.
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#527: Plotting the Perfect Crime – Potential and Pay-Off via The House of Haunts, a.k.a. The Lamp of God (1935) by Ellery Queen
Slowly, slowly I work my way through the Otto Penzler-edited Woo Whatta Lotta Locked Room Mysteries (2014) — it’s not really a convenient size to dip into — and, since my chronological reading of Ellery Queen is going so well, it seemed time to take on this impossible disappearance story. Or so I thought…
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#512: Policeman’s Lot – Ranking the Edward Beale Novels of Rupert Penny
