#158: The Tattoo Murder Case, a.k.a. The Tattoo Murder (1948) by Akimitsu Takagi [trans. Deborah Boehm 1998]

tattoo-murder-caseSince Soji Shimada’s The Tokyo Zodiac Murders was republished by Pushkin Vertigo, I’ve found myself reading increasing amounts of Japanese detective fiction: the shin honkaku of The Decagon House Murders by Yukito Ayatsuji and The Moai Island Puzzle by Alice Arisugawa from Locked Room International, The Salvation of a Saint by Keigo Higashino (yes, The Devotion of Suspect X will follow in due course…), and I’ve recently started Gosho Aoyama’s Case Closed (a.k.a. Detective Conan) manga.  And authors such as Seicho Matsumoto and Kyotaro Nishimura are climbing ever-higher up by TBB list as I encounter more of the high-quality work that has been translated for our pleasure.  And, of course, the proliferation of impossible crimes in these stories doesn’t hurt, with the added cross-cultural glimpses also offered simply making them an even more attractive proposition.

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#157: The Tuesday Night Bloggers — A Background of History in The Red Widow Murders (1935) by Carter Dickson

tnbs-history

“The story of the Widow’s Room…begins in the month of August, and in the city of Paris, and in the year 1792.  It begins with the Terror, but it has not ended yet.”

Upon reflection, it’s fairly astounding that John Dickson Carr published novels for 20 years before finally writing his first ‘true’ historical tale with The Bride of Newgate in 1950.  Throughout so much of his early work there is a miasma of the past pushing through, and a revelling in the detail of such times that threatens to overload the present story as Carr seems far more interested in dumping as much detail as possible from, say, the French Revolution upon you so that the Weight of History can be added to the press of his peculiarly heady tales of mystery and imagination.

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#156: A Reminder — #Carr110 — One Month to Go!

carr-covers

Just a quick reminder that John Dickson Carr will be 110 on 30th November, so if anyone wishes to post anything Carr-related on that day I’ll collect everything in a summing up post here.  I’ll put up yet another reminder closer to the day itself, and if anyone wishes to contribute they can just leave a link in the comments somewhere and I’ll go around and sweep up as required.

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#155: Ye Olde Book of Locked Room Conundrums – Publication Day!

yobolrc-launch

It’s finally here!

Nearly 3 months after being announced, running to 15 stories and 115,421 words, Ye Olde Book of Locked Room Conundrums is finished, and this post is here to announce that it’s ready for you to download for free!

And, yes, you read that correctly — all 15 of the original stories are included, thanks to a frankly amazing intervention by John Grant (he of the massively entertaining Noirish blog) who offered his help in sorting out the two stories I wasn’t going to have the time to get into shape…and then managed to do them in, like, zero seconds flat.

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#154: Obelists Fly High (1935) by C. Daly King

obelists-fly-highSometimes it can be difficult to know where to start.  C. Daly King’s third detective novel Obelists Fly High is such a time in my life.  Is it good?  No.  Is it terrible?  Yeah, it probably is.  Now I have to explain that, and give examples from the text to back up my opinions, and it should all just fall into place.  But it’s not simply a case of hurling invective at King and his attempts, because in some regards this is very clever — well, no, there’s one development, at the start of the fourth…section (they’re not really chapters) which borders on the very canny indeed.  At the same time, I really did not enjoy reading this; it is hideously overlong, here’s a competent short novella in here at best, but explaining why is going to be like nailing jam to the ceiling.  Ah, well, here goes…

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#153: The Tuesday Night Bloggers – Five to Try…But What’s the Theme?

tnbs-costume

In what might actually be the first time I’ve contributed to a full month of TNB posts — woo! Mr. Commitment! — I thought I’d finish off with my first Five to Try in a little while on the subject of Crime in Costume.  But, this being a blog about detective fiction, I thought I’d leave it up to you to deduce the theme inside of this framing which links all these books together.

The first person to correctly work it out gets…a prize of some sort.  Tell you what, they’ll win a pre-publication copy of Ye Olde Book of Locked Room Conundrums, personally emailed to them by me.  So as, y’know, to save them waiting an extra three or four days and having to click on a link to download it themselves.  I know, I know, I’m too kind.  Tell you what — to make it nice and unique, I’ll even add a bit to the introduction about how this was won in a competition on the blog.  That makes it a bit more special, eh?

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#152: The Nick Noble Stories of Anthony Boucher (1942-54)

William Anthony Parker White, under the nom de plume Anthony Boucher, is widely considered to have been one of the most influential voices of his generation when it came to matters of detective fiction.  As an anthologist and reviewer his opinions counted greatly for their insight and fairness, but as well as talking the talk he also walked the walk in a series of seven novels and over 70 short stories published in the most highly-regarded detective and SF magazines of the day.

And yet for all his output, and in part on account of his genre-changing, it’s difficult to know how Boucher’s fictional writing should be remembered.  His novels cover no fewer than three different “series”, with the longest-running — centred around Irish PI/Gentleman Detective Fergus O’Breen — comprising only three of them, and the most famous — locked room murder Nine Times Nine (1940) — featuring the marvellous wannabe-detective nun Sister Ursula but succeeded by a follow-up (1942’s Rocket to the Morgue) so inane that most people have probably never picked it up based on reputation alone (which is a shame, because Sister Ursula is one of the most wonderful characters to come out of this era).

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#150: The House That Kills (1932) by Noël Vindry [trans. John Pugmire 2015]

house-that-killsAaaah, the debut novels of celebrated authors.  Would anyone read It Walks by Night and predict The Problem of the Green Capsule or Till Death Do Us Part?  Does The Mysterious Affair at Styles in any way prepare you for The Moving Finger, or for Crooked House?  Often it’s a challenge to look back on the opening salvo of a career that would go on to become notable and find any vestige of that in those first few hundred pages, and it can be even harder when — as in the case of Noel Vindry’s The House That Kills — you’re waiting 80 years to read it in your native language and are told up front of the author’s own huge contribution to the genre.  Frankly, it needs to be The Usual Suspects mixed with The Mystery of the Yellow Room (spoilers for that in this, incidentally) as rewritten by David Mamet…and even then it probably won’t match the hype.

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