Author: JJ
#258: I’ll Grind Their Bones (1936) by Theodore Roscoe is Now Available from Bold Venture Press!


Stage magic and Golden Age detection go hand-in-hand: we go in knowing we’re being fooled in both cases, but there’s little more enjoyable than seeing it done well. Clayton Rawson and Hake Talbot were professional-level magicians who turned their minds to the dark arts of fictional (as far as we know…) murder and crafted some wonderful stories in doing so, and the name Bruce Elliott can also be added to the magician/detection-writer set with this country house mystery that benefits from his magical background by stirring in an impossible crime. This is yet another book that’s foisted an unexpected impossibility upon me, and while it’s not exactly perfect, it’s still a bloody good read.

When a man is found dead, stabbed between the eyes by a unicorn (of indeterminate nationality) — a, yes, fictional animal that can nevertheless apparently turn invisible at will — you don’t expect to find yourself in the GADU. And when a second victim is then killed in the same way but in full view of witnesses, if one can witness an invisible animal, you better hope you’re in the GADU or else things are about to get silly. Well, it’s your lucky day, because you are in a classic impossible crime mystery and things are about to get silly — this book is probably the final time John Dickson Carr had all the ingredients for a classic and didn’t actually write it, instead leaving a few edges untouched so that the overriding impression is slightly more “Er…what?” than “Hell, yeah!”.

While we can be thankful for real-life developments in forensic science that enable the speedier detection of criminals, there can be little argument that it was the death-knell of good detective fiction. Dull Inspector Arnold and his genius amateur sidekick Desmond Merrion spend so much time combing through the minutiae of the physical and mental aspect of the crime in Death in the Tunnel, and come up with such entertaining possibilities while doing so, that a crime scene tech in one of those all-over white body suits could never be a fifth as much fun. It makes me all the more appreciative of this kind of classic approach, knowing that this sort of book has seen its heyday pass.