#418: Spoiler Warning 7 – Fog of Doubt, a.k.a. London Particular (1952) by Christianna Brand

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As discussed previously, we are here today to find out how good I am at spotting clues and things in the detective novel London Particular, a.k.a. Fog of Doubt (1952) by Christianna Brand.  We’ll be doing this by examining my thoughts on a chapter-by-chapter basis and there will be spoilers.  Do not read futher if you wish to remain unspoiled.

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#417: The Ponson Case (1921) by Freeman Wills Crofts

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Freeman Wills Crofts’ second novel The Ponson Case (1921) recently enjoyed a reissue thanks to the superlative efforts of HarperCollins and their revived Detective Club imprint.  Nevertheless, I’m not passing up the opportunity to flaunt my pristine House of Stratus edition, with a cover so fabulous that it was recently reused for Martin Edwards’ genre-sweeping study The Story of Classic Crime in 100 Books (2017).  Since Crofts himself spoiled his debut The Cask (1920) in The Sea Mystery (1928), I’m skipping that for now but shall otherwise read him chronologically until I run out of books, and hope HarperCollins seize the chance for a full reprint in the meantime…

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#415: Adventures in Self-Publishing – The Murder of Nora Winters (2016) by Robert Trainor

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No-one is more surprised than me to find self-published fiction forming a fairly regular part of my online book-scouting.  The experience of reading Matt Ingwalson’s Owl and Raccoon novellas was quite transformative in my perception of this stream of literature, and recently stumbling into Robert innes’ prolific and entertaining output only strengthens my intention to keep digging.

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#414: The Four Defences (1940) by J.J. Connington

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I had only read one previous novel by J.J. Connington — The Case with Nine Solutions (1928) — about which I remember one clever piece of misdirection and little else.  I’ve had The Four Defences (1940) for ages, but his fellow-Humdrummer Mr. Freeman Wills Crofts captured my heart and swept me off my feet, so amends were here to be made.  Thus, we have the remains of an unidentified body in a burned-out car, an obstreperous coroner insisting on felo de se, and a mystery on our hands.  Cue an amateur detective — with the delightfully pleonastic name of Mark Brand, whose job seems to be giving relationship advice on the radio — to break the case…

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#412: On the Appeal of Impossible Crimes – At Death’s Door…

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I’ll he honest, I’m not really sure what this post is about.  See, I’ve been mulling the appeal of the impossible crime novel for, well, years now, and having previously looked at what makes something an impossible crime the thing I’ve been mulling lately why the concept of an impossible crime is so appealing.  This, then, is the end result of those lucubrations, unfocused as they are despite being pinned on a very small area of interest.

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#411: Six Were to Die (1932) by James Ronald [a.p.a by Kirk Wales]

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I feel as if I’m encroaching on the territory of John Norris at Pretty Sinister by reviewing a book that isn’t all that easy to come by; worry not, John, I don’t have well-enough stocked shelves to support this kind of habit, so it’s back to normal next week.  This title is one that — like What a Body! (1949), The Rynox Mystery (1930), Death Has Many Doors (1951), and Dead Man Control (1936) — was brought to my attention by the Roland Lacourbe library of highly-regarded impossible crime novels, though due to the absence of a French translation did not qualify for the main list.  Well, as you can see from the rating above, I think our Francophone brethren are missing out.

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