
Author: JJ
#488: A Murder is Announced – Case for Eight Detectives in The Seven Deaths of Evelyn Hardcastle (2018) by Stuart Turton

For once, I, on my blog typically concerned with titles from some 60 to 80 years ago, am allowing external factors to influence me here. Not just in looking at a book published during my own lifetime (that happens not infrequently) but one that’s been in the news of late, too.
Continue reading
#487: The Polferry Riddle, a.k.a. The Choice (1931) by Philip MacDonald






For now, like, the fourth time in my experience — and the second involving a book by Philip MacDonald — the Roland Lacourbe-curated list of 100 excellent impossible crime novels has disgorged a title which is not in any way an impossible crime. I’m still fully capab- (hang on, carry the one…then minus…yup, you’re good) fully capable of enjoying a book which is sans-impossibility, but I find it weird that a list compiled by such eminent heads includes so many books that don’t qualify. The simplicity of MacDonald’s own narratives should be a giveaway anyway, since he’s really not about the complexities or misdirection, sticking more to a simpler, thriller-tinged path.
Continue reading
#486: Adventures in Self-Publishing – Spotlight (2017) by Robert Innes

Well, c’mon, as if I’m going to do a month of self-published impossible crime fiction posts and not feature Robert Innes. Spotlight (2017) is the fifth of currently nine Blake Harte mysteries, all built around impossible crimes, and this time there are two impossibilities to contend with.
Continue reading
#485: “What I say is, is it wise or necessary to rake up things?” – Memory as Evidence in Elephants Can Remember (1972) by Agatha Christie

You’ve heard of Elephants Can Remember (1972): it’s the final time Hercule Poirot investigates a case at Agatha Christie’s direction, written in the final stretch of her career when everything she did was awful and without merit. Not even I could find something positive to say about it…could I?
Continue reading
#484: The D.A. Calls a Turn (1944) by Erle Stanley Gardner






Thanksgiving evening, Sheriff Rex Brandon receives a call from a contrite drunk claiming to have stolen a car, and heads over to pick him up along with D.A. Doug Selby. Arriving too late to prevent an accident in which the man is killed, a chance observation by Selby leads to an identity different to one the man had claimed This in turn brings Brandon and Selby to Carmen Freelman, who had been called away from dinner with her new husband’s family that evening by her boss…who just happens to be the man killed in the crash. So run the first twenty-four pages of The D.A. Calls a Turn (1944) by Erle Stanley Gardner. Strap in for a wild ride…
Continue reading
#483: Adventures in Self-Publishing – The Locked Room Murder (2016) by Nancy McGovern

If last week’s self-published impossible murder didn’t work for you then, well, firstly have a quiet word with yourself, but also perhaps this week will make you more comfortable. Perhaps even…cozy.
Continue reading
#482: A Sea-Change Into Something Rich and Strange for The Secret of Skeleton Island (1966) by Robert Arthur

Quite a week it’s been: a humdinger of a self-published impossible crime novel, then a low-key classic from John Dickson Carr…if the best things come in threes, it seems only sensible to finish with another case — the sixth, as I continue my way through this series chronologically — for Jupe, Pete, and Bob, a.k.a. The Three Investigators.
Continue reading
#481: The Seat of the Scornful, a.k.a. Death Turns the Tables (1941) by John Dickson Carr






It’s cold outside, it’s dark outside — yes, thank-you, The Southern Hemisphere, no-one likes a smartarse — Christmas is over; time to battle through with some beloved authors. First up, and most beloved of them all despite a recent charge by Freeman Wills Crofts, Mr. John Dickson Carr and Dr. Gideon Fell, here engaged in no showy impossibilities but instead the sort of low-key case for which Carr doesn’t get enough credit. Where the relative simplicity of this might lead to this being overlooked, I’d argue that its restrained execution and structure are so brilliantly without flaw that the more easily you dismiss it the more you’re falling into the very trap it lays.
Continue reading
#480: Adventures in Self-Publishing – Goodnight Irene (2018) by James Scott Byrnside
