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Erle Stanley Gardner, in my view one of the four most important male authors of classic crime fiction, is of course best known for the savvy machinations of Perry Mason, a man who never met a legal loophole he didn’t like. Yet between 1937 and 1949 he wrote nine books that just might comprise some of his most interesting writing, those featuring D.A. Doug Selby. Selby is a more naive presence than Mason — equally ready to fight his corner, yet strangely trusting in a way that at times proves his undoing — and in order to bring these books a little more attention I’m going to work through them in order over the next few months (yes, yes, we’ve heard this before… well I need a break from that, and this is the perfect antidote).
Last week, I was moved to reflect upon the end of the archetypal Golden Age detective novel, and this week I’m moved to reflect on its beginning. The essential ludic air at the heart of the best of the genre is not quite there in The Duke of York’s Steps, but one can feel the inalienable ingredients of the form straggling into line to give shape to a story that retains fidelity to a type of plot that, at this stage, was understood if not quite mastered. If anything, the mystery feels almost over-subtle — like Antidote to Venom, it seems a trifle unlikely that such a set of circumstances as these would come to warrant criminal investigation — and so approximately the first quarter is spent trying to manufacture the necessary traction for the detection to begin in earnest.