While Brad adopts a thematic approach to reading the Perry Mason novels of Erle Stanley Gardner, I’m more a sort of wander in the meadow, la-la-la, isn’t everything beautiful kinda guy, and so I’m just getting it into my head I want to (re)read one and picking them up on a whim. But let’s attempt some method and stick to the approximate era of the last one I reviewed, eh?
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It’s true that, by reading a lot of crime and detective fiction and trying to write three posts a week on that subject, I sometimes forget to just enjoy my reading. So thank heavens it’s time for another Alasdair Beckett-King novel, with Sabotage at Sea (2025) being the fourth in the Montgomery Bonbon corpus.
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You have to buy the whole book of A Certain Dr. Thorndyke (1927), the tenth novel featuring R. Austin Freeman’s eponymous, esteemed medical jurist, but I’d advise only reading half of it. Rather like final Sherlock Holmes novel The Valley of Fear (1915) by Arthur Conan Doyle, the story here is split into two parts, one of criminous shenanigans and one of tedious backstory — though Freeman’s backstory comes first — and, even then, the crime and its investigation are only just about interesting to hold the attention. Mostly this smells of an idea Freeman couldn’t let go that should have been at best a novella, but which finds itself beefed up so that he could fulfil a clause in a contract. He does so enthusiastically, but it’s not a good read.
And so we start the second quarter-century of modern impossible crime novels which we’re no longer pretending I read solely for TomCat‘s benefit. Spoilers: I’m something of a fan of the impossible crime, so I actually read these because I’m hoping to find good modern examples of the form for myself — gasp!
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Merrilee Moore, the latest star to bewitch millions from the silver screen, is rumoured to be making a movie about Helen of Troy in Greece after years of being kept on a decidedly ungenerous contract by greedy studio heads. Suffice to say, certain people in the industry feel slightly put out at this turn of events, and might wish ill upon Miss Moore before she ever crosses the Atlantic and gets in front of a camera. And so magazine journalist William Deacon accepts a commission to cross the ocean on the Monmatre and keep an eye on Merrilee, to ensure nothing bad befalls her. First problem…is she even aboard the ship?
Lying in the Deep (2023) by Diana Urban was brought to my attention by a piece the author wrote on CrimeReads in which she said that she had taken the setup and some “iconic plot beats” from Death on the Nile (1938) by Agatha Christie in order to inform the structure of her own book. Holy lawsuit, Batman, colour me intrigued.
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Fatal Venture (1939) represents, by my count, the ninth time in twenty-three books that Freeman Wills Crofts has devised a criminal scheme which contains a significant strain of maritime malfeasance. Compared to the mere brace involving railway timetables, you have to wonder why he’s seen as the Timbletable King rather than the Wizard of the Waterways — hell, even these excellent Harper Collins reissues make a point of highlighting his use of railway timetables, so you have to wonder if that myth will ever die. Never mind, this is still superb; highlighting why Crofts has fallen by the wayside compared to some of his peers, perhaps, but enjoyable, clever, and surprising along with it.
While far from his best work, The Blind Barber (1934) by John Dickson Carr does contain the brilliant problem of a corpse appearing on a passenger liner mid-voyage with no passenger or crew member apparently having died to provide it. Ella Risbridger’s juvenile mystery debut The Secret Detectives (2021) works from the same principle, with 11 year-old Isobel Petty seeing someone thrown overboard one stormy night…and yet the next morning no-one is missing.
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The Invisible Event 