Paul Halter
#382: The Night of the Wolf [ss] (2006) by Paul Halter [trans. Robert Adey & John Pugmire 2004]






With Christian recently starting his blog looking at impossible crimes in short fiction, and with a new Paul Halter translation in the current issue of Ellery Queen Mystery Magazine, the time seemed ripe to go back and reread this collection of Halter’s short fiction and get my thoughts on record. Originally published in English by Wildside Press in 2006 (in slightly modified form from its original 2000 publication in French) and then taken in by Halter’s subsequent English publisher Locked Room International, the ten stories here serve as a great primer for the breadth of Halter’s ingenuity, and rediscovering them has been a huge amount of fun.
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#339: Highs & Lows – Tall Tales and Subterranean Shenanigans
Okay, after three weeks of opinion, and with Tyline Perry’s murder-in-a-coalmine-centred The Owner Lies Dead (1930) up for review this Thursday, let’s have some much-needed objectivity: here is a selection of crimes where altitude plays a part.
Disclaimer: All heights are approximate. And fictional.
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#330: Highs & Lows – Five Reading Highlights of 2017
January, month of rebirth and self-recrimination. For every resolution to improve there must be some frank assessment of what debilitated you in the first place, and so the month can take on a curiously Jekyll-and-Hyde aspect for some. So my Tuesday posts for this month will be a mixture of what is good and bad in my reading, and where better to start than a celebration of the previous 12 months?
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#299: The Realm of the Impossible [ss] (2017) eds. John Pugmire and Brian Skupin – Week 2

And so we return to the multi-national short story impossibility-fest that is The Realm of the Impossible from Locked Room International. Once again, I’m taking a different selection of stories each week by approximate geographical grouping and comparing and contrasting the themes and approaches.
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#270: The Madman’s Room (1990) by Paul Halter [trans. John Pugmire 2017]
Reader, brace yourself for a shock: I — the man who curated an online celebration of Paul Halter’s 60th birthday last year — loved The Madman’s Room. Given the hue and stripe of originality Halter has brought to the impossible crime genre (The Demon of Dartmoor, The Lord of Misrule, and The Invisible Circle, among others, all contain what surely must be original resolutions to the inexplicable), it’s no surprise to find him resolving the mysteries herein as inventively as he does. What I especially enjoyed was the simplicity brought to the answers, particularly the way he occludes that simplicity so smartly so that you look back on come the end and go “Oh, hell, how did I miss that?”.
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#259: ‘The Yellow Book’ (2017) by Paul Halter [trans. John Pugmire 2017] and Categorising No Footprints Murders
Of late, I have found myself surrounded by invisible men. Entirely fictional, of course, but there have been a lot of them: shooting someone in an empty room in You’ll Die Laughing (1945) by Bruce Elliott, disappearing into darkness in I’ll Grind Their Bones (1936) by Theodore Roscoe, vanishing from rooms and beaches in Thursday’s forthcoming Wilders Walk Away (1948) by Herbert Brean, performing miracle appearances and disappearances as I reread Rim of the Pit (1944) by Hake Talbot…everywhere I look, people are vanishing.
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#200: Celebrating 100 Impossible Crimes with Paul Halter’s The Vampire Tree (1996) [trans. John Pugmire 2016]

This, my 200th post on this blog, will also be the 100th to be tagged with the subject ‘Impossible Crimes‘ and — since my very first was a review of Paul Halter’s The Phantom Passage — I thought I’d hold this milestone to look at the most recent Halter translation from John Pugmire’s Locked Room International, which goes by the English title The Vampire Tree. I will probably do this at some length, though without mentioning specifics past the 25% mark, and with a brief mention of only one slight spoiler, signposted in advance. So, let’s get into it…
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#153: The Tuesday Night Bloggers – Five to Try…But What’s the Theme?



