Seventeen scenarios of skulduggery, stealing, and slaughter in the British Library Crime Classics range, all centred on London, the finest city on god’s green Earth, and selected by the ne plus ultra of classic crime appreciation, Martin Edwards.
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I promised you more podcast, and wouldn’t have blamed you for not believing me; but more podcast there is today for your listening pleasure.
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“[H]ow stressful can this game really be? A few nights in a peaceful hamlet at Christmas, trying to make sense of a puzzle? What could possibly go wrong?”. Well, an unseasonally heavy snowfall could maroon everyone, and then a murderer could start picking off the isolated denizens of the peaceful hamlet of Midwinter. But, if they can survive the slaughter, the six people who have been invited by the Midwinter Trust to take part in the competition, called Miss Winter in the Library with a Knife, are unlikely to want to leave because the prize they can win is…well it’s fabulous, isn’t it? It must be. Although, now you come to mention it, what is the prize?
An earlier British Library Crime Classics short story collection today, with The Long Arm of the Law [ss] (2017) featuring 15 stories of professional police selected by the hugely knowledgeable Martin Edwards.
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Having looked at Silent Nights [ss] (2015), the first collection of Christmas-themed short stories in the British Library Crime Classic collection a fortnight ago, I move on to Crimson Snow [ss] (2016), the second such collection, edited once again by Martin Edwards.
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I’ve been planning this for over a year, since reviewing the British Library’s fifth collection of Christmas short stories last November. Finally, then, December will see me reviewing Christmas-themed books for perhaps the first time since starting this blog in 2015, with a second BL collection coming in the weeks ahead.
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“My New Year’s resolution is to murder a man I’ve never met” — thus does Basil Palmer lay out his intentions at the very start of his journal in Hemlock Bay (2024) by Martin Edwards, bringing to mind the openings of classic-era touchstones Malice Aforethought (1931) by Francis Iles and The Beast Must Die (1938) by Nicholas Blake. Louis Carson, the man Palmer seeks to avenge himself on, appears to have entered into a business partnership in the Northern resort of Hemlock Bay, and so, assuming a false identity, it is there that Palmer heads. Little does he know, various other parties are also descending upon Hemlock Bay, and some of them also have murder in their hearts.
Years ago, as a younger and callower man, I swore that the only Sherlock Holmes stories I would read were those written by Arthur Conan Doyle. Then I became a John Dickson Carr fan, and it’s been a slippery slope ever since.
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I have a particular fascination with the Knox Decalogue, the list of ‘rules’ for the writing of good detective fiction as complied by Ronald Knox in 1929. It fascinates me for many reasons, not least the way it has been misrepresented down the years and its clear-sighted common sense taken as narrowness by many people who fail to appreciate the genre understanding contained within.
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Astoundingly, Who Killed Father Christmas? (2023) is the fifth collection of seasonal mysteries collated by Martin Edwards for the British Library Crime Classics range. And, with the BL kind enough to provide me with a review copy, it seemed like the perfect excuse to start some Christmas reading a little earlier than planned.
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The Invisible Event 