Slowly, slowly I work my way through the Otto Penzler-edited Woo Whatta Lotta Locked Room Mysteries (2014) — it’s not really a convenient size to dip into — and, since my chronological reading of Ellery Queen is going so well, it seemed time to take on this impossible disappearance story. Or so I thought…
Brad has threatened to drum me out of the GAD Club Members’ Bar for my lack of kow-towing to the work of Ellery Queen. In fairness, I really rather enjoyed Halfway House (1936), but here I am fighting for my rights. And I think he’s timed this deliberately, being well aware that The Door Between (1937) was up next for me, because Gordon’s beer is Eva MacClure, the heroine who finds herself at the centre of an impossible murder plot, one of the most frustrating perspective characters I’ve yet encountered. Goodness, she makes one positively ache for the company of Noel Wells from The Saltmarsh Murders (1932) by Gladys Mitchell.
