John Dickson Carr
#546: The 10 Types of Impossible Crime – Categories and Titles from Our Talk at Bodies from the Library 2019

After being on something of an enforced hiatus for a little while, The Men Who Explain Miracles, the occasional podcast run by Dan from The Reader is Warned and myself, returned yesterday for a live show at the Bodies from the Library Conference 2019 at the British Library.
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#533: “Magicians have an advantage; they never have to reveal the trick” – An Interview with James Scott Byrnside

Back in December 2015 I read and reviewed Matt Ingwalson’s first two self-published Owl and Raccoon novellas and, impressed with their quality, undertook what has since become my Adventures in Self-Publishing in which I work through impossible crime fiction following a non-trad route to its audience.
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#527: Plotting the Perfect Crime – Potential and Pay-Off via The House of Haunts, a.k.a. The Lamp of God (1935) by Ellery Queen

Slowly, slowly I work my way through the Otto Penzler-edited Woo Whatta Lotta Locked Room Mysteries (2014) — it’s not really a convenient size to dip into — and, since my chronological reading of Ellery Queen is going so well, it seemed time to take on this impossible disappearance story. Or so I thought…
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#520: Seeing is Believing, a.k.a. Cross of Murder (1941) by Carter Dickson






Socialising is difficult, isn’t it? One minute you’re making polite dinner party conversation about jobs with someone you’ve only just met, the next a hypnotist performs a few mesmeric passes and goads a wife into stabbing her husband with a knife everyone knows is fake but which — awks — actually turns out to be real and, oh my god, she’s killed him. We’ve all been there, and we all know how tricky it can be to factor this sort of thing into one’s TripAdvisor rating. An unexpected, impossible murder can dampen the mood somewhat — especially when so many people seem to be operating at cross-purposes — but remember you did say the canapés were lovely…
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#481: The Seat of the Scornful, a.k.a. Death Turns the Tables (1941) by John Dickson Carr






It’s cold outside, it’s dark outside — yes, thank-you, The Southern Hemisphere, no-one likes a smartarse — Christmas is over; time to battle through with some beloved authors. First up, and most beloved of them all despite a recent charge by Freeman Wills Crofts, Mr. John Dickson Carr and Dr. Gideon Fell, here engaged in no showy impossibilities but instead the sort of low-key case for which Carr doesn’t get enough credit. Where the relative simplicity of this might lead to this being overlooked, I’d argue that its restrained execution and structure are so brilliantly without flaw that the more easily you dismiss it the more you’re falling into the very trap it lays.
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#453: The Criminous Alphabet – A is for…Audience



