#608: Ghost House (1940) by Norman Berrow

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Norman Berrow seems to flourish under the eye of the eldritch.  Impossible hoof-marks in the snow mystery The Footprints of Satan (1950) is widely seen — correctly, in my opinion and experience to date — as his strongest work, and Ghost House (1940) is another atmosphere-drenched invocation of supernatural terror.  Evidently Berrow himself was either extremely taken with the book or extremely disappointed in it, since he rewrote some of the plot, changed the names of the characters, and reissued the book in 1979.  I’ll get to v2.0 last of all, since I’m now reading Berrow chronologically, but for now let’s look at the original.

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#601: Little Fictions/Going Home – The Crime Stories of Edgar Allan Poe: ‘The Murders in the Rue Morgue’ (1841)

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Sometimes my Tuesday posts are themed as Little Fictions, wherein I look at short stories; back in May I did a month themed around the origins of my detective fiction obsession called Going Home.  This month it’s a Megazord comprised of both, looking at short stories that formed the origins of detective fiction…and there’s only one place to go for that.

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#597: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #13: Impolitic Corpses (2019) by Paul Johnston

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Cast triskaidekaphobia aside!  Sure, these modern impossible crime novels haven’t always shown the subgenre at its best, but Paul Johnston was one of the many contemporary crime fiction authors I read back in the early 2000s, and a chance to reconnect with him and the series that made his name can only be a good thing…right?

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#595: Reflections on Detection – The Knox Decalogue 2: The Supernatural

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Sometimes I regret saying I’ll do stuff; this week, I regret saying I’ll explore each of the rules of Ronald Knox’s Detective Fiction Decalogue in depth.  Mainly because I’m busy, and so I’m not going to do this as well as I otherwise might.  And that frustrates me doubly, because Rule 2 is the one that got me thinking about this in the first place.

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#581: The Wrong Letter (1926) by Walter S. Masterman

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I very nearly paid a king’s ransom for a secondhand copy of Walter S. Masterman’s debut The Wrong Letter (1926) a couple of years ago, since it was rare as rocking-horse teeth (wait, those are not rare…) and featured on Roland Lacourbe’s “100 Books for a Locked Room Library” list (or, well, the supplemental list of fourteen supposedly excellent impossible crime novels for which there were no French translations, at least).  Then, in 2018, Ramble House made it easily available for much more sensible money, and here we are.  More power to their elbow, frankly, as this is the strongest Masterman I’ve read, and has encouraged me to not write him off just yet.

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