#1077: “A gleeful disregard for law, and an ungentlemanly pride in his own cleverness.” – The Penguin Book of Gaslight Crime [ss] (2009) ed. Michael Sims

Subtitled Con Artists, Burglars, Rogues, and Scoundrels from the Time of Sherlock Holmes, The Penguin Book of Gaslight Crime [ss] (2009) collects twelve stories originally published between 1896 and 1919 — an era which I find myself increasingly interested in, giving birth as it did to the Golden Age of the 1920s-40s.

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#1061: Death and the Conjuror (2022) by Tom Mead

Death and the Conjuror

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Tom Mead is that rare thing these days: an author writing detective fiction in the classic tradition with some actual interest in the classic tradition of detective fiction. When he peppers the text of Death and the Conjuror (2022), his very entertaining and easy-to-read debut novel, with references to the work of R. Austin Freeman, G.K. Chesterton, Melville Davisson Post and others, you know it’s the result of time spent reading the genre rather than a few quick Google searches to give him credibility. And when he plays the games of identity and location as well as he does here, you also know he’s having a joyous time playing in his favourite sandbox…and wonderful it is to see.

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#1049: The End of Andrew Harrison, a.k.a. The Futile Alibi (1938) by Freeman Wills Crofts

End of Andrew Harrison

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It’s been a long road to The End of Andrew Harrison, a.k.a. The Futile Alibi (1938) by Freeman Wills Crofts.  Back when I was fairly new to classic era detective fiction in general, and impossible crimes in particular, I heard rumours of this book — the first I’d ever heard of Crofts — but it turned out to be rather unavailable.  I also heard that Crofts was dull, dull, dull, however, and so spent a long time avoiding him before finally taking the plunge, falling in love with his writing and reading 22 of his novels in broad chronology, in which time Andrew Harrison was reprinted by Harper Collins.  And…that just about brings us up to date.

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#1035: “Our guest has a problem and I direct him to favour us with it.” – Tales of the Black Widowers [ss] (1974) by Isaac Asimov

“Twelve mystery masterpieces by the maestro” promises the back cover of Tales of the Black Widowers (1974), the first collection featuring Isaac Asimov’s puzzle-solving dining club, and given that Asimov says in the introduction that his “detective ideal is Hercule Poirot and his little gray cells” it seems like it might not be an empty promise…

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