Seventeen scenarios of skulduggery, stealing, and slaughter in the British Library Crime Classics range, all centred on London, the finest city on god’s green Earth, and selected by the ne plus ultra of classic crime appreciation, Martin Edwards.
Continue reading
Thanks to the ongoing efforts of the wonderful British Library Crime Classics range, I have an improving impression of the work of Ethel Lina White — the excellent ‘Water Running Out’ (1927) was included in the Crimes of Cymru [ss] (2023) collection and The Wheel Spins (1936) was a superb little thriller which did well with its highly appealing setup. All of which saw me snap up a copy of The Spiral Staircase, a.k.a. Some Must Watch (1933) when one drifted into my orbit, and, well, this shows again how effective White can be with a small number of people in a restricted setting…even if, at times, she’d rather have them get together and talk over old ground instead of getting on with the story.
I’ve been planning this for over a year, since reviewing the British Library’s fifth collection of Christmas short stories last November. Finally, then, December will see me reviewing Christmas-themed books for perhaps the first time since starting this blog in 2015, with a second BL collection coming in the weeks ahead.
Continue reading
Young Iris Carr is travelling back to England alone when she is befriended by governess Winifred Froy; taking tea in the dining car of their train, they return to their carriage, where Iris falls asleep. Upon awakening, she finds Miss Froy has disappeared and, more confusingly, that all the forriners sharing the compartment insist there never was such a lady to begin with. Might the attack of sunstroke Iris suffered on the platform before boarding be to blame, or might there be a more sinister explanation? Thus The Wheel Spins (1936) walks in the same furrow as a good many suspense stories, not least Phantom Lady (1942) by Cornell Woolrich and the Jodie Foster-starring Flightplan (2005).
Another themed collection of crime and mystery stories from the British Library, Crimes of Cymru (2023) sees Martin Edwards’ exemplary genre knowledge tasked with selecting tales with Welsh settings or origin.
Continue reading
With the Bodies from the Library 5 (2022) collection due in a couple of months, and spin-off Ghosts from the Library (2022) coming later in the year, the time seems ripe to revisit one of the earlier collections which — given the timespan over which I first read them — I failed to review on publication. And since, for reasons too complicated to bore you with here, the second volume was the first one I encountered, it’s there I’ll head today.
Continue reading
I can’t believe that there is a GAD enthusiast who doesn’t look forward to the annual Bodies from the Library collections so expertly curated by Tony Medawar. In bringing to public awareness some of the forgotten, neglected, or simply unknown stories that the great and the good of the form produced, these collections have become a source of great excitement, and a must-read for even the most ardent student of the Golden Age.
Continue reading
Prepare yourself for what might just be the most jam-packed episode of In GAD We Trust to date — when you sit down with Tony Medawar, there’s always going to be a lot to talk about.
Continue reading
The subgenres by which we carve up any broad classification of fiction admit a degree of specialisation but raise problems in terms of enjoyment. For instance, Fear Stalks the Village (1932) as a Village Mystery must supply satisfaction on two fronts: it must have both a great village and a great mystery — and, while it has the former in spades, it lacks sorely to my tastes on the latter half of that expectation. And while The Voice of the Corpse (1948) by Max Murray shows that such a mixture can fall favourably upon my experience, White’s tale of poison pen letters seems to love its village a little too much to allow the mystery to ever really gain traction.
The Invisible Event 