I have an undeniable fondness for the work of Edgar Allan Poe, having looked at his tales of ratiocination on this blog as well as written a novel inspired by one of his most famous stories. So Beyond Rue Morgue [ss] (2013), a collection of stories edited by Paul Kane and Charles Prepolec purporting to extend the career of Poe’s unfathomably influential detective C. Auguste Dupin, was certainly an intriguing find.
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All good things come to an end, and so does my podcast; started in the first UK lockdown and hard to justify now that lockdowns are well and truly over, In GAD We Trust’s 30th episode (number 29, but don’t forget that bonus run through the Jonathan Creek canon) is going out in a blaze of self-promotion.
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Last week, Nick Cardillo and I discussed the impossible crime on screen, at the end of which he casually asked about Jonathan Creek like I’d be able to condense my thoughts into a pithy bon mot and not obsess about what I’d missed out for the next 30 or 40 years. Instead, we’re back to discuss the series as a whole today.
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Twenty months ago I set out to examine each of the ten rules in Ronald Knox’s detective fiction decalogue in laborious detail; this month, that project will finally be completed. Then I can finally return to The Criminous Alphabet, eh?
Continue readingAfter the interruption to the schedule of two weeks ago, here’s another In GAD We Trust podcast — and given the topic of ‘Making a Good First Impression’ it’s only fitting to welcome returning guests Sergio and Brad.
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That title is doing a lot of work, isn’t it? Fair warning: this goes on a bit.
At the online Bodies from the Library conference last weekend, I gave a talk inspired in part by E.M. Wrong’s introduction to the 1926 anthology Crime and Detection. And, in addition to coining the term “Wellington of detection” that inspired the thinking I laid out last weekend, there is plenty of material in that piece of prose to get the cogs turning.
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The Invisible Event 