Believe it or believe it not, this occasional endeavour — in which I read modern locked room and impossible crime novels in the hope that I may save my fellow enthusiast TomCat some drudgery — started with good intentions, despite rarely going to plan. So, does the enthusiasm Puzzle Doctor showed for this no-footprints baffler mean we’ve found a good one?
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It’s been nearly four years since I last read one of Tanya Landman’s bullet-fast murder mysteries featuring junior sleuths Poppy Fields and her friend Graham, so here are the next two in the series.
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“Oh my days,” whispered Norva, throwing her head back. “It’s not like we’re going to the moon, we’re going on the moors. Calm it down.”
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Big Game (2015) by Stuart Gibbs represents a third visit to FunJungle, the gigantic Texan zoo owned by billionaire J.J. McCracken where 12 year-old Teddy Fitzroy lives with his primatologist mother and photographer father. And, as the title would suggest, it seems something beyond animal conservation is on someone’s mind.
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Five more recommended episodes of Elementary, the US TV update of Sherlock Holmes, this time from season 2.
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After the very enjoyable work done by Herb Lester and Caroline Crampton in mapping the key locations of Agatha Christie’s English mysteries, it was surely only a matter of time before a similar project was attempted. And This Deadly Isle, which maps the locations of a raft of Golden Age mysteries across the country, is the delightful inevitable follow-up.
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To me falls the honour of rounding off the blog tour for The Life of Crime (2022) by Martin Edwards, adding to the deserved praise it has already garnered elsewhere. This “personal journey through the genre’s past, with all the limitations and idiosyncrasies that implies” is a monumental achievement, encompassing the breadth and depth of a genre that is now a good couple of centuries old, and finding many nuggets to share about it along the way. And, since any study of a genre must inherently be about that genre to some extent, Edwards’ trump card here is to tell a story of crime writing that also sheds light on the need for such stories to exist in the first place.
Brad is working his way through full season summary breakdowns of the recent US TV Sherlock Holmes update Elementary (2012-19) and, since he and I have been watching it at about the same time — thanks to urging from a mutual friend — I thought I’d belatedly jump on that bandwagon share my own thoughts in more compact form.
When I took a bit of a blogging break at the end of 2021, I finally found time to watch some TV and caught up with the first two seasons of Castle, the US mystery show starring Nathan Fillion as hyper-successful crime writer Richard Castle and Stana Katic as Kate Beckett, the NYPD detective he ends up shadowing for ‘research’ (which swiftly develops into a ‘will they/won’t they’ thing — spoilers: they definitely will, probably in season 5).
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The Invisible Event 