If you’ve met me, firstly I apologise, and secondly it’ll come as no surprise that I have a tendency to ruminate on that which many others pass over without so much as a backward glance. Previously this resulted in me writing something in the region of 25,000 words on the Knox Decalogue, and today I’m going to turn my eye upon the Haycraft-Queen Cornerstones list. Prepare thyself…
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I haven’t pursued any Adventures in Self-Publishing, in which I read and review self-published works featuring impossible crimes, since October 2020. Well, the good news is that James Scott Byrnside, star pupil of the AiSP Academy, released his fourth book in December 2021, and so now we can saddle up the horse again and get adventurin’.
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Anyone who didn’t buy Richard Osman’s second novel The Man Who Died Twice (2021) when it came out last year probably got it for Christmas, and you’ve doubtless read it by now. I actually read it just before Christmas, but it’s taken me a long time to order my thoughts regarding this second visit to the septuagenarian denizens of Cooper’s Chase retirement village. On one hand, I can see how millions of people around the world will be completely charmed by Osman’s whimsy; on the other, the plot here only really occupies the last 70 pages, with the rest of the book filled out by padding of the most egregious hue and stripe.
Even though — or perhaps, because — I’m a fan of Anthony Berkeley Cox’s work, I approach him with some trepidation. At his best you get the innovative brilliance of The Poisoned Chocolates Case (1929), while among his failures is the repetitious turgidity of The Second Shot (1930) or Not to be Taken (1938). Thankfully, The Wintringham Mystery (1927), originally serialised in the Daily Mirror in 1926 before being reworked as a novel, falls squarely in the former camp: a witty, playful, brisk Country House puzzler bafflingly out of print for nearly a century that’s so good it would justify a full reprint of the man’s work on its own.
The final week of the Death of the Reader boys picking their way through Murder on the Way! (1935) by Theodore Roscoe, and the reckoning is upon us: how close were they with the solution they proposed in last week’s show?
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There are Advent calendars in the supermarkets, but I’m sticking to my guns and committing October to a study of the eldritch and shiversome in detective fiction. We have zombies stalking through, Tuesday was ghosts, Thursday was spiders, and today we’ll look at the legend of Mr. Diabolo.
Continue readingAnother Monday, another chance to listen to Felix ‘Flex’ Flexerton and Herman ‘Herds’ Herdley as they read Murder on the Way! (1935) by Theodore Roscoe in sections and I attempt to entice them away from the confident groove they settled into last week.
Continue readingYou may remember that I recently reviewed Murder on the Way! (1935) by Theodore Roscoe — but what you won’t know until now is that I was rereading it in part because I’d been invited onto Death of the Reader to talk about it.
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Does In GAD We Trust have a hype train? If so, stoke the conductor, point the rails, wake up the boiler, and do other train things, because episode 27 is here and Nick Cardillo wants to talk about the impossible crime on screen.
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I can’t believe that there is a GAD enthusiast who doesn’t look forward to the annual Bodies from the Library collections so expertly curated by Tony Medawar. In bringing to public awareness some of the forgotten, neglected, or simply unknown stories that the great and the good of the form produced, these collections have become a source of great excitement, and a must-read for even the most ardent student of the Golden Age.
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The Invisible Event 