Amateur Detective
#181: The Tuesday Night Bloggers – Strangers in Strange Lands: When East Comes West…

Alongside classic detective fiction and locked room/impossible crime mysteries of every date, stripe, and hue, I read a moderate amount of both classic and modern SF. And as much as I rejoice in the closedness of the ‘rules’ of detective fiction, I take equal delight in the free-form craziness that can open up in front of you in excellent SF.
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#174: Adventures in Self-Publishing – The Mysteries of Reverend Dean [ss] (2008) by Hal White
Continuing the grand old tradition of crime-solving clergy — I refer, of course, to The Father Dowling Mysteries — Hal White’s collection of impossible crime stories featuring the retired octogenarian Reverend Thaddeus Dean gives us six takes on vanishing murderers, no footprints in the snow, impossible alibis, and more classic staples of my most-beloved of sub-genres. And, no small praise, it bears the stamp of approval from Bob Adey…so, are the stories any good? Well, as part of my continued trek to find something in the realms of self-published detective fiction that’s actually worth your time, let’s have a look…
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#133: Everything is Rather Frightening in The Black Rustle (1943) by Constance and Gwenyth Little
Over at the excellent and superbly-titled Exploring the History of Women in Mystery blog, wrangler “Unpredictable Notes” recently put up this brief summary of the EIRF school as outlined in Jacques Barzun and Wendell Hertig Taylor’s A Catalogue of Crime (1971). EIRF is a step on from HIBK (Had I But Known) and stands for Everything is Rather Frightening:
In fact, since the modern psychological novel has devoted itself to exploring the abnormal and oddly alarming, no great originality was needed to raise the emotional pitch of the murder another notch and made HIBK into EIRF – Everything is Rather Frightening.
The setup of The Poisoned Chocolates Case is rightly very famous: a lady is killed when a box of chocolates given to her husband by another member of his gentlemen’s club — who himself received them unsolicited through the mail — turns out to have been laced with poison. The police, with no culprit in sight, allow six amateurs with a fascination for real life crimes to theorise and present their own solutions, each one appearing watertight until someone finds a flaw that brings the edifice down. For this conceit alone, and the genius way Berkeley uses his different sleuths to unpick the sparse and simple known facts, this book has passed into near-legend in detective fiction circles.
John Sladek is better known these days as a furiously inventive author of decidedly loopy SF — and I mean that as a compliment — but he did publish two detectives novels in the 1970s that each contained several impossibilities. The first,