#472: The Pit-Prop Syndicate (1922) by Freeman Wills Crofts

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Back in 2015, before I’d ever opened any of Freeman Wills Crofts’ works, Puzzle Doctor reviewed The Pit-Prop Syndicate (1922) at his place and ended by saying “I could go on, but I’ll just keep writing euphemisms for BORING BOOK over and over again. Absolutely, 100%, NOT RECOMMENDED. I’d go so far as Actively Avoid”.  Shortly after reading that I broke my first bread with Crofts and, almost exactly three years later, I’ve read and loved seven Crofts novels and — in a move some might consider hasty — have tracked down all but four of his oeuvre. Still, I picked this one up with the Doc’s warning echoing in the back of my skull.  Gulp.

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#471: Minor Felonies – Jolly Foul Play (2016) by Robin Stevens

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The fourth entry in Robin Stevens’ Murder Most Unladylike series finds us returning to a very different Deepdean School for Girls to the one we last saw at the end of the opening of this series.  And this time around Christian, who blogs over at Mysteries, Short and Sweet when he’s not translating Carter Dickson novels into Swedish, has stepped in to help me tackle this one as a fellow fan of Robin Stevens’ work.

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#469: The Man Who Loved Clouds (1999) by Paul Halter [trans. John Pugmire 2018]

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The last time anyone tried to use the wind as a threatening murder weapon we got The Happening (2008) from the, er, mind of M. Night Shyamalan.  Nine years prior, however, Paul Halter had written about the small coastal village of Pickering in 1936, and the youthful, ethereal Stella Deverell predicting the deaths of locals ahead of the storms and winds that batter the vicinity.  And what Stella predicts comes to pass: not just deaths, but madness, relationships breaking down, and unforeseeable good fortune for fishermen.  Add in her own talents in making gold from rocks and vanishing without a trace and you’ve got an impossible crime tale on your hands…

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#467: Seven—And Death Makes Eight – The Game’s Afloat in The Last of Sheila (1973) [Scr. Stephen Sondheim and Anthony Perkins; Dir. Herbert Ross]

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I’ve not reviewed a movie here on The Invisible Event before, but then The Last of Sheila (1973) is not your average movie.  I first became aware of it at the Bodies from the Library conference in 2017, when it was recommended as one of the few examples of a fair-play mystery in long format, and that was enough for me.

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#466: The Traces of Brillhart (1960) by Herbert Brean

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Late one night, journalist William Deacon is surprised in his office by an old school friend with an unusual request.  Seemingly everywhere Archie Sinclair goes, people are talking about the singer-songwriter Brill Brillhart — the places they met with him, the dinners they’ve had with him, the appearances he’ll be making later that week — which wouldn’t be so weird if Sinclair didn’t have it on such good authority that Brillhart has been dead for the last two months.  So, would Deacon be willing to look into it?  And Deacon, with misgivings aplenty, agrees, and soon finds that Brillhart is indeed both dead and seemingly everywhere.  How can this be possible?

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#463: They Can’t Hang Me (1938) by James Ronald

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My first encounter with James Ronald was via the puply and hugely entertaining Six Were to Die (1932), in which six business associates found their lives threatened by an ex-colleague they had wronged, and were killed one by one in ingenious ways.  Six years later, he wrote They Can’t Hang Me (1938), in which four business associates find their lives threatened by an ex-colleague they have wronged, and are killed one by one in ingenious ways.  And, hell, when the book is this good, I wouldn’t mind if he’d written this plot another 25 times.  In fact, I wish he had.  This, my friends, is a little beauty.

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