#385: Cut Throat (1932) by Christopher Bush

/ JJ / 80 Comments

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Flour, eggs, sugar, butter.  Mix them, put them in the oven, you get a cake.  But there are cakes and there are cakes.  Equally, books.  Give me a baffling murder, the precise focus of which shifts again and again like the first two sections of John Dickson Carr’s The Arabian Nights Murder (1936), and stir in a Croftian alibi trick and I should be in heaven.  Alas, this is one of the bad cakes — the sort of well-intentioned thing your seven year-old nephew bakes and you take two bites from out of politeness and then put down and hope no-one brings back to your attention.  Christopher Bush has taken promising ingredients and cooked us a turgid mess.

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#383: Success, and Being a Victim Thereof in ‘The Fires of Hell’ (2016) by Paul Halter [trans. John Pugmire 2016]

/ JJ / 43 Comments

EQMM May June 2018

Having recently reviewed Paul Halter’s short story collection The Night of the Wolf (2006), and having previously shared my thoughts on Soji Shimada’s ‘The Running Dead’ (1985), Szu-Yen Lin’s ‘The Ghost of the Badminton Court’ (2004), and Halter’s own ‘The Yellow Book’ (2017) all from the pages of Ellery Queen Mystery Magazine, the time seems perfect to look at the newest Halter translation to come our way — the short story ‘The Fires of Hell’, published in this month’s EQMM.

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#382: The Night of the Wolf [ss] (2006) by Paul Halter [trans. Robert Adey & John Pugmire 2004]

/ JJ / 42 Comments

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With Christian recently starting his blog looking at impossible crimes in short fiction, and with a new Paul Halter translation in the current issue of Ellery Queen Mystery Magazine, the time seemed ripe to go back and reread this collection of Halter’s short fiction and get my thoughts on record.  Originally published in English by Wildside Press in 2006 (in slightly modified form from its original 2000 publication in French) and then taken in by Halter’s subsequent English publisher Locked Room International, the ten stories here serve as a great primer for the breadth of Halter’s ingenuity, and rediscovering them has been a huge amount of fun.

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#379: Bats in the Belfry (1937) by E.C.R. Lorac

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If you seek evidence of my tendency to over-commit where GAD is concerned, look no further than my reading and reviewing two E.C.R. Lorac titles and then buying a further, ahem, six before actually getting round to reading any more.  For all her perceived failings — not as rigorous as Christie, not as refined as Sayers, not as dull as Marsh — I’ve found my first few books by Edith Caroline Rivett to distinguish themselves in her approaching fairly standard setups with an air of trying to do something a little uncommon.  We’re not reinventing the wheel, but we are putting a different tread on the tyres.

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#376: Fingers for Ransom (1939) by Norman Berrow

/ JJ / 9 Comments

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You can tell it’s been a tough couple of weeks, because I’ve reverted to my reading Happy Place — Carter Dickson, Max Afford, and now Norman Berrow (there was a traumatic Ngaio Marsh experience in there, too, but the less said about that the better).  My entirely non-chronological sampling of this delightful Kiwi — probably the most purely joyous GAD author I read — continues apace, since this is the preceding title to Murder in the Melody (1940), the last Berrow I read…no, I have no idea why I’m doing it like this.  I’ll make sure his debut The Smokers of Hashish (1934) is the next Berrow I pick up.  Just bear with me, eh?  It’s been a tough couple of weeks.

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