I think I’ve been dimly aware of Nancy Springer’s series centred on Enola Holmes, much younger sister of the more famous Sherlock and Mycroft, for a number of years, but it was only the recent(ish) filming of the first book which brought the series more firmly into my orbit.
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Another exclusive boarding school, another murderer on the loose — if mysteries for younger readers are anything to go by, put your kids in the local comp to keep them safe.
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Today begins a long-range project in which I work through the 56 canonical short stories featuring Mr. Sherlock Holmes written by Sir Arthur Conan Doyle…some of which I haven’t read in over 20 years. I’m fascinated by Holmes, especially when he is as his creator made him, and, while I doubt I’ll have anything new to say, I intend to enjoy rereading him from first to last.
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If the genre’s Golden Age had one commendable attribute, it’s that there was no pressure to outdo previous entries in a series by going bigger, louder, or more preposterous with each successive entry.
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This second entry in Marthe Jocelyn’s Aggie Morton series — featuring juvenile sleuths inspired by both Agatha Christie and her arguably most famous creation Hercule Poirot — contains much of the charm that made the series opener stand out, but also falls down in ways that leave me a little underwhelmed.
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The Invisible Event 