#420: Death Lights a Candle (1932) by Phoebe Atwood Taylor

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We’re back in Boston again this week, in another large house with murder insinuating its way among the denizens.  Everyone is snowed in when the death occurs, and so good-ol’-boy Asey Mayo must counter the cunning devilry of an ingenious and unscrupulous killer with his own brand of misleadingly languid style, plenty of homespun wisdom, and lot and lots of phonetic dialogue — in fact, this is the first time I’ve actively wondered whether an author was on some sort of pro rata arrangement for the number of times an apostrophe could be used where a letter would be equally good.  So that’s another benchmark reached, I guess.

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#417: The Ponson Case (1921) by Freeman Wills Crofts

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Freeman Wills Crofts’ second novel The Ponson Case (1921) recently enjoyed a reissue thanks to the superlative efforts of HarperCollins and their revived Detective Club imprint.  Nevertheless, I’m not passing up the opportunity to flaunt my pristine House of Stratus edition, with a cover so fabulous that it was recently reused for Martin Edwards’ genre-sweeping study The Story of Classic Crime in 100 Books (2017).  Since Crofts himself spoiled his debut The Cask (1920) in The Sea Mystery (1928), I’m skipping that for now but shall otherwise read him chronologically until I run out of books, and hope HarperCollins seize the chance for a full reprint in the meantime…

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#414: The Four Defences (1940) by J.J. Connington

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I had only read one previous novel by J.J. Connington — The Case with Nine Solutions (1928) — about which I remember one clever piece of misdirection and little else.  I’ve had The Four Defences (1940) for ages, but his fellow-Humdrummer Mr. Freeman Wills Crofts captured my heart and swept me off my feet, so amends were here to be made.  Thus, we have the remains of an unidentified body in a burned-out car, an obstreperous coroner insisting on felo de se, and a mystery on our hands.  Cue an amateur detective — with the delightfully pleonastic name of Mark Brand, whose job seems to be giving relationship advice on the radio — to break the case…

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#411: Six Were to Die (1932) by James Ronald [a.p.a by Kirk Wales]

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I feel as if I’m encroaching on the territory of John Norris at Pretty Sinister by reviewing a book that isn’t all that easy to come by; worry not, John, I don’t have well-enough stocked shelves to support this kind of habit, so it’s back to normal next week.  This title is one that — like What a Body! (1949), The Rynox Mystery (1930), Death Has Many Doors (1951), and Dead Man Control (1936) — was brought to my attention by the Roland Lacourbe library of highly-regarded impossible crime novels, though due to the absence of a French translation did not qualify for the main list.  Well, as you can see from the rating above, I think our Francophone brethren are missing out.

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#408: Quick Curtain (1934) by Alan Melville

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In German there is schadenfreude, pleasure at the misfortune of others, which I believe is the intended response to Richard Hull’s Murder of My Aunt (1934).  I’m sorry to say that in reading it I experienced more the Spanish vergüenza ajena, that toe-curling horror of watching someone make a prat of themselves, and not in any sort of a good way.  But in order to (hopefully) prove that I’m not a humourless prig I’ve opted for another light, funny mystery with Alan Melville’s Quick Curtain (1934), having enjoyed but not really retained much of the similarly-republished Death of Anton (1936) from the British Library.

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#405: The 8 Mansion Murders (1989) by Takemaru Abiko [trans. Ho-Ling Wong 2018]

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Before we get onto the book itself, it’s worth mentioning that this is the twenty-ninth publication from Locked Room International.  Under the stewardship of John Pugmire, we’ve been brought a wonderful mix of classic and modern impossible crime novels and short stories from all corners of the globe, and — given the standard of their recent output — it certainly seems that the best is far from past.  I anticipate a great many excellent, obscure, and previously-untranslated works coming our way in the years ahead thanks to LRI, and I wanted to take a moment to recognise the work that goes into making this happen.

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#404: Little Fictions – The Impossibilities of Ellery Queen: ‘The Black Ledger’, a.k.a. ‘The Mysterious Black Ledger’ (1952) and ‘Diamonds in Paradise’ (1954)

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To finish off this month looking at some of the impossible crime short stories of Ellery Queen — which started without an impossibility, went verbosely downhill, and then improved significantly — I’m again looking at two stories since both are pretty darn short.  And so…

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