#392: A Fight to the Finnish – Promise and Delivery in Cruel is the Night (2013) by Karo Hämäläinen [trans. Owen Witesman 2017]

Cruel is the Night

We GAD bloggers are a tight-knit bunch.  Cut one of us, does another not bleed?  Take aim at Kate’s praise of John Rhode, will Puzzle Doctor not leap in front of the bullet?  And when the most adventurous among us — I refer, of course to Grand Viscount Bradley Friedman, LLC — ventures of into hitherto unexamined climes, do we not follow, fearful of what hackneyed plot elements may be reheated and served up to his delicate palate as fresh fare?

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#391: Fatal Descent, a.k.a. Drop to His Death (1939) by John Rhode and Carter Dickson

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In the style of Sesame Street, today’s review is brought to you by In Search of the Classic Mystery Novel‘s Puzzle Doctor, who kindly leant me this book following years of me failing to find an affordable copy.  And, boy, what an exciting prospect it is: no mere “one chapter each” in the style of ‘Behind the Screen’ (1930), ‘The Scoop’ (1931), or The Floating Admiral (1932), this is a proper collaboration between two of the Golden Age’s titans: Carter Dickson, a.k.a. John Dickson Carr, and John Rhode, a.k.a. Miles Burton — two gentlemen who individually devised a greater library of brilliant means of criminal dispatch than almost any other pair you’d care to name.

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#390: Minor Felonies – Feel the Fear (2014) by Lauren Child

Feel the Fear

I apologise if I appear to be giving some import to my own fevered speculations here, but a few weeks ago I wrote that “I absolutely commend the role literature plays in helping people, young or otherwise, make sense of the world around them, but it’s also nice that sometimes a novel about a couple of 11 year-olds solving a murder can just be about a couple of 11 year-olds solving a murder”.  I referenced it once already, and now I’m doing it again.  Yeesh, my ego.

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#388: Inspector French and the Cheyne Mystery (1926) by Freeman Wills Crofts

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I wasn’t sure I wanted to dive into another complex alibi problem so soon after Cut Throat (1932) by Christopher Bush.  But if anyone can convince me of the joys of alibi-breaking it’s Freeman Wills Crofts, and so off I went in hope of some fiendish minutiae to get the brain cogitating with possibilities.  As it happens, I need not have worried — there is no complex alibi-breaking here.  Sure, there’s a grand mix of ratiocination and weighing the odds on the way to intelligent deductive work, but this is decidedly a ‘wrong man on the run’-style thriller before it’s a novel of routine.  Were pithiness my forte, I’d probably make an ‘Alfred Hitchcrofts’ reference.

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#387: Minor Felonies – Alice Jones: The Ghost Light (2017) by Sarah Rubin

I am aware that some (many/most/all?) of my readers do not share my fascination with the current Young Adult detective fiction scene, and to a certain extent I sympathise.  But in an age where detection is eschewed in grown-up circles — with unreliable narrators prevailing, and amnesia conveniently repealed at the 85% mark to hurry in a conclusion because clewing has failed — it heartens me to know that younger generations are being raised with access to the rigorous principles that delight so many of us.

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#385: Cut Throat (1932) by Christopher Bush

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Flour, eggs, sugar, butter.  Mix them, put them in the oven, you get a cake.  But there are cakes and there are cakes.  Equally, books.  Give me a baffling murder, the precise focus of which shifts again and again like the first two sections of John Dickson Carr’s The Arabian Nights Murder (1936), and stir in a Croftian alibi trick and I should be in heaven.  Alas, this is one of the bad cakes — the sort of well-intentioned thing your seven year-old nephew bakes and you take two bites from out of politeness and then put down and hope no-one brings back to your attention.  Christopher Bush has taken promising ingredients and cooked us a turgid mess.

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#383: Success, and Being a Victim Thereof in ‘The Fires of Hell’ (2016) by Paul Halter [trans. John Pugmire 2016]

EQMM May June 2018

Having recently reviewed Paul Halter’s short story collection The Night of the Wolf (2006), and having previously shared my thoughts on Soji Shimada’s ‘The Running Dead’ (1985), Szu-Yen Lin’s ‘The Ghost of the Badminton Court’ (2004), and Halter’s own ‘The Yellow Book’ (2017) all from the pages of Ellery Queen Mystery Magazine, the time seems perfect to look at the newest Halter translation to come our way — the short story ‘The Fires of Hell’, published in this month’s EQMM.

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#382: The Night of the Wolf [ss] (2006) by Paul Halter [trans. Robert Adey & John Pugmire 2004]

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With Christian recently starting his blog looking at impossible crimes in short fiction, and with a new Paul Halter translation in the current issue of Ellery Queen Mystery Magazine, the time seemed ripe to go back and reread this collection of Halter’s short fiction and get my thoughts on record.  Originally published in English by Wildside Press in 2006 (in slightly modified form from its original 2000 publication in French) and then taken in by Halter’s subsequent English publisher Locked Room International, the ten stories here serve as a great primer for the breadth of Halter’s ingenuity, and rediscovering them has been a huge amount of fun.

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