With the annual Bodies from the Library collections, which have brought long out-of-print stories of crime and detection back to public awareness, proving rightly popular, editor Tony Medawar turns his attention to another facet of genre fiction with the Ghosts from the Library (2022) collection, in which authors (mostly) better known for their stories of crime and detection have a go at generating some supernatural chills instead.
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One final, for now, trip to Four Corners, “the kind of one-horse burg where they leave the doors open at night”, and the story of ‘Daisy Boy’ Dumont and the Curlew fortune.
Continue readingWhere next for Theodore Roscoe’s tales of small own life in upstate New York? Well, how about some Suspense?
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Another collaborative effort in the style of Behind the Screen (1930) and The Scoop (1931), with six authors each taking up the challenge of continuing this story, published in instalments in the News Chronicle in 1954.
Continue readingAnother tales of small town Americana from Theodore Roscoe, his time focussing on the effects of a crime on one man’s standing in the tiny community of Four Corners, the fictional town in upstate New York
Continue readingThe Detection Club — a membership-by-election dining club for detective fiction writers, whose origins and early days were traced so entertainingly by Martin Edwards in The Golden Age of Murder (2015) — has produced several collaborative efforts down the years, and it’s to one of those that we turn today.
Continue readingGiven how much classic (and modern!) crime and detective fiction relies on the concept of Othering — identifying the person who doesn’t ‘fit’ in a situation, and hoping guilt can be pinned on them — it’s interesting to see Theodore Roscoe employ the concept in the story of ‘Frivolous’ Clariselle Allders.
Continue readingI had intended to read and review the stories in Four Corners, Volume 1 (2015) — written for pulp story magazine Argosy between 1937 and 1941 — on Tuesdays last month, but was operating under a fatal misapprehension: that eponymous “Four” refers to the town, not the number of stories in the volume, of which there are five. Thankfully, August 2022 came to the rescue, and here we go,
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The short story collection The Great Portrait Mystery (1918) occupies an odd position in the oeuvre of R. Austin Freeman. Five of the seven stories herein have almost nothing to do with each other — tonally, thematically, genre-wise — and the other two are inverted tales of detection featuring his famous medical jurist character Dr. John Evelyn Thorndyke. So were Freeman’s publishers simply fancying up some of his B-material by including a couple of Thorndyke tales to draw otherwise-uninterested readers to this collection? Let’s find out.
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A slight cheat this week — the final two stories by Anthony Boucher from the collection Exeunt Murderers [ss] (1983), and then, so that we have three stories again this week, the Holmes pastiche ‘The Anomaly of the Empty Man’ (1952) as listed in Adey.
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