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How better to commemorate the birth of one J.C. than by exploring the work of another? And so to Truth Comes Limping (1938), the seventeenth mystery by Alfred Walter Stewart writing as J.J. Connington and the thirteenth to feature his detective Chief Constable Sir Clinton Driffield. And, once more with this author, I find myself swimming against the apparent direction of opinion: Nick Fuller rated this at 2/5, Martin Edwards calls it “very disappointing”, and Curtis Evans dismisses it as a “lackluster mystery plot with dull characters and turgid writing”. And so, of course, I really rather enjoyed it — sure, it’s at the weaker end of the four-star ratings I’ve given Connington elsewhere, but for sheer Humdrum delights it’s rather fine.
Orion
#1214: “We’re going to do it. I can feel it.” – Double Indemnity (1936) by James M. Cain
A recent reflection on the Orion Crime Masterworks series that first got me into classic-era crime and detective fiction has brought me back to Double Indemnity (1936) by James M. Cain, the sixth title in that series and my first proper encounter with anything Noir-ish on the page.
Continue reading#1209: For This New Value in the Soul – My Ten Favourite Orion Crime Masterworks
I’ve written before about the impact the long-defunct Orion Crime Masterworks series had on my discovery of classic-era crime and detective fiction, and a recent pruning of my shelves brought back to me many of the happy memories from those books. So today, I’m going to run through the ten which left, perhaps, the strongest impression on Young Jim.
Continue reading#1184: The Castleford Conundrum (1932) by J.J. Connington

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It is a truth universally accepted that an author with a sizeable output will probably vary their approach from time to time. And so, in his twelfth mystery novel to be published under his J.J. Connington nom de plume, Alfred Walter Stewart clearly decided that what his increasingly accomplished criminous schemes needed was more character — a little more personality on the part of the people affected. And thus The Castleford Conundrum (1932) positively overflows with delightful character beats which really bring the situation to life…except that they come at the expense of the criminous element, which feels lucky to come in second place where the book’s priorities are concerned.
#1158: The Boathouse Riddle (1931) by J.J. Connington

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Perhaps sensing limitations in the character after five novels, J.J. Connington seemed to retire Chief Constable Sir Clinton Driffield following Nemesis at Raynham Parva (1929) and wrote two novels of diverging quality featuring the bland Superintendent Ross. But, with Ross possibly not finding traction in either his creator’s mind or in that of the reading public, The Boathouse Riddle (1931) sees the return of Sir Clinton, large as life and unknowable as ever, as a murdered groundskeeper interrupts his holiday on the estate of his friend ‘Squire’ Wendover. And so, with nary a sigh, our detective rolls up his sleeves and gets to work…
#1031: Tragedy at Ravensthorpe (1927) by J.J. Connington

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The second novel to feature Chief Constable Sir Clinton Driffield, Tragedy at Ravensthorpe (1927) joins the likes of The Wintringham Mystery (1927) by Anthony Berkeley in a subgenre I like to think of as Frustrated Japes: someone plans something as a bit of a lark — here the theft of some valuable medallions during a masquerade ball at the eponymous country pile — only for another party to interrupt the undertaking and turn things in an unexpectedly more sinister direction. Thankfully, what results is another zesty, energetic, well-clued mystery from Connington’s pen, albeit one which won’t linger in the memory.
#978: The Dangerfield Talisman (1926) by J.J. Connington

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I don’t normally read two books by the same author within at least a few months of each other, but I so enjoyed J.J. Connington’s criminous debut Death at Swaythling Court (1926) back in September that I was honestly champing at the bit to get back to more of his work. The Dangerfield Talisman, then, (1926) is Connington’s follow-up to Swaythling, with a completely new setting, cast, and conundrum. And Connington himself appears to have been equally keen to get to this one, possibly writing it in a mere seven weeks…and, if that was the case, it’s difficult not to wish that he’d spent a little longer over it.
#965: Going Home – Angels Flight (1999) by Michael Connelly
Another dive into the past, as I revisit the crime novels of my youth which set me on the path to classic era detection.
Continue reading#962: Going Home – Fade Away (1996) by Harlan Coben
Another week, another American crime writer who captured my attention as a young man and helped me eventually find joy in the niche of classic-era detective fiction.
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