#346: The D.A. Draws a Circle (1939) by Erle Stanley Gardner

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The third Doug Selby book from Erle Stanley Gardner sees an escalation in the puzzle aspects that make this series such a joy.  You may come in expecting small town shenanigans and lazy Evil Big Business villains shown up by scrappy, dogged, local hero Selby, but you get a man killed in baffling circumstances with a semi-impossible twist, or a bindle-stiff gassed in equally nonsensical conditions with an elaborate scheme behind it, or — as here — a naked corpse shot twice in the same wound and spiralling accusations of complicity in murder plots that parallel and snake around each other in a particularly lethal dance.  Dammit, Gardner is my go-to when I need a lift, I can’t deny it.

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#343: He Wouldn’t Kill Patience (1944) by Carter Dickson

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The result of a challenge between John Dickson Carr and magician-turned-author Clayton Rawson to write a murder in a room whose inaccessibility is assured by paper taped across the inner door jamb, He Wouldn’t Kill Patience (1944) also has GAD brethren in Freeman Wills Crofts’ zoo-set, poisonous-snake-centric Antidote to Venom (1938).  Carr and Rawson take more puzzle-oriented routes, of course, and both happen to feature magicians, but the Reptile House subgenre is off to a good start with these two novels in it.  And since you’re going to ask, in the head-to-head of this and Rawson’s ‘From Another World’ (1948), Carr wins.  Boy, does Carr ever win.

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#334: The Chinese Orange Mystery (1934) by Ellery Queen

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Sure, laugh it up.  Just a few short months ago I stated my intention to read the entirety of the output of Manny Lee and/or Frederic Dannay under the Ellery Queen nom de plume, and here I am — some struggles later — jumping ahead to a more warmly-perceived title.  I’m not happy about it myself, I much prefer to do these things chronologically, but equally I want to want to read their books again.  I’ve loved some, been unaffected by others, and abominated a handful, and as such Queen remains a problem child for me.  So here I am, back on the horse in a different town, mixing metaphors with the best of ’em.  And the result…?

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#318: The Sinister Six – Murder Begins at Home in ‘Behind the Screen’ (1930)

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Slightly belatedly, here are my thoughts on the companion piece to ‘The Scoop’ (1931), another portmanteau mystery written for radio by some of the luminaries of the Golden Age.  This time around, Hugh Walpole sets the problem of a dead body found in your typical Stage 3 suburban household, and Agatha Christie, Dorothy L. Sayers, Anthony Berkeley, E.C. Bentley, and Ronald Knox contribute to its unpicking.

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#315: Spoiler Warning – Coming in January: The Problem of the Wire Cage (1939) by John Dickson Carr

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You may (but then you you may not) be aware that I’ve started a thing here on The Invisible Event where every three months I pick a work of classic detective fiction and discuss it with another GAD blogger, being entirely unmindful of spoilers so as to really get into the details involved.  Well, another is on the way — which book do you think it could possibly be?

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#308: The D.A. Holds a Candle (1938) by Erle Stanley Gardner

42613783-4154054732_4b843bd134_oAfter the disappointment of last week, I should dive straight back in to another dense impossibility and to hell with any lingering doubts.  But, well, my meretricious moods find me yearning for a little comfort reading, and so it’s back to Doug Selby and the gang.  Here we find newly-elected D.A. Selby and Sheriff Rex Brandon contending with obstreperous reporters, influential businessmen, political opportunism, and a host of tangled stories and motives when trying to unpick the riddle of a dead body found bearing a note that states the intention of the possessor to have killed someone else…but no second body to back up the claim.  And hold onto your hats, because that’s not the only thing that doesn’t add up.

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#294: The Arabian Nights Murder (1936) by John Dickson Carr

Arabian NightsIn the orchestra of John Dickson Carr’s detective fiction, his early years from It Walks by Night (1930) up to arguably The Arabian Nights Murder (1936) are very much the accordion section.  Events occur in concentrated bursts, with clues and characters squeezed together to make the notes of the plot emerge, only to then be drawn apart before inexorably squeezing together again for another dense exposit you must pore over in order to follow the necessary developments.  From The Punch and Judy Murders (1936) until the 1940s he wrote in the fine, clean, overlapping lines of the harp, and then the violins took over… but enough of this analogy, back to this book and the wheeze of a bellows working overtime.

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#278: Six Were Present – A Collaboration of Titans in ‘The Scoop’ (1931)

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Most fans of Golden Age detective fiction (GAD) will be aware of the portmanteau novel The Floating Admiral (1931) in which many luminaries of the form each contributed a chapter in turn to a murder mystery plot (pity poor Anthony Berkeley, who had to unravel all the clues and events to provide a coherent solution in the final chapter).  I’m imagining that slightly — but only slightly — fewer of you will be aware of the precursors to this novel written in the preceding year, where the same sort of approach was taken for two mysteries to be broadcast on radio.

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#265: The Big ‘Fore!’ – Classic GAD Allusions in Stableford on Golf (2010) by Rob Reef [trans. Alan Gross 2013]

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What the hell?  This blog — preserve of the expired author, occupying as it does a dusty corner of the interwebs free from contemporary scrutiny — has now featured two living authors on consecutive weekends.  Clearly I’m courting popularity.  Next thing you know, there’ll be a guest post by Ed Sheeran [please note: I have no reason to believe a guest post by Ed Sheeran to be forthcoming].  And this one isn’t even an impossible crime.  Where does this road lead?  Rave reviews of Cozy Baking Mysteries?  Who even am I any more?

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#262: The Duke of York’s Steps (1929) by Henry Wade

Duke of York's StepsLast week, I was moved to reflect upon the end of the archetypal Golden Age detective novel, and this week I’m moved to reflect on its beginning.  The essential ludic air at the heart of the best of the genre is not quite there in The Duke of York’s Steps, but one can feel the inalienable ingredients of the form straggling into line to give shape to a story that retains fidelity to a type of plot that, at this stage, was understood if not quite mastered.  If anything, the mystery feels almost over-subtle — like Antidote to Venom, it seems a trifle unlikely that such a set of circumstances as these would come to warrant criminal investigation — and so approximately the first quarter is spent trying to manufacture the necessary traction for the detection to begin in earnest.

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