#517: Murder in the Family, a.k.a. The Murder in Gay Ladies (1936) by James Ronald

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I’m nowhere near Puzzle Doctor/Brian Flynn levels of adoration yet, but there’s a good chance James Ronald could turn out to be one of my very favourite unheralded authors.  Sure, he wrote in quite a range of genres — from ‘a family’s struggles in an unfamiliar environment’ to incident-packed impossible crime novels and, presumably, just about anything in between — and the frank unavailability of so many of his books is going to make tracking him down long and, given the spread of genres, at times possibly unrewarding work, but when he’s good, boy is he good.  As in the case of the Osborne Family Murder — with ‘family’ being very much the key word here.

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#514: About the Murder of a Startled Lady (1935) by Anthony Abbot

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This is another title brought to my attention via the Roland Lacourbe-curated list of one hundred (well, 114) notable impossible crime novels.  If I’m honest, I still don’t know what to make of that list — containing as it does some wonderful books that aren’t impossible crimes, some poor books that aren’t impossible crimes, and some thoroughly glorious impossible crimes that would otherwise have passed me by.  This one is…fine.  While the impossibility isn’t up to much, there’s enough interest in the approach taken to commend it if you can find a copy.  Would I put it among the hundred best, however?  Er, no…

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#511: The Stingaree Murders (1932) by W. Shepard Pleasants

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Thirteen people — a publisher and his two grown children, a newspaper editor, a retired General and his wife, a career politician and his bodyguard, a scientist, a lawyer, two servants, and our Everyman narrator — on a houseboat in the Louisiana bayou, intent on a few days of fishing, swimming, and relaxation. Though, naturally, the worries of everyday life never really vanish: a threat against the state Governor hangs over his head, as does his professional association with the scientist, which seems a little strained. With just enough time to get complacent, tragedy strikes, and then there were twelve. And then there were eleven…

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#502: The Door Between (1937) by Ellery Queen

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Brad has threatened to drum me out of the GAD Club Members’ Bar for my lack of kow-towing to the work of Ellery Queen.  In fairness, I really rather enjoyed Halfway House (1936), but here I am fighting for my rights.  And I think he’s timed this deliberately, being well aware that The Door Between (1937) was up next for me, because Gordon’s beer is Eva MacClure, the heroine who finds herself at the centre of an impossible murder plot, one of the most frustrating perspective characters I’ve yet encountered. Goodness, she makes one positively ache for the company of Noel Wells from The Saltmarsh Murders (1932) by Gladys Mitchell.

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