#63: Death Invites You (1988) by Paul Halter [trans. John Pugmire 2015]

Disclosure: I proof-read this book for Locked Room International in October 2015.

Death Invites YouDeath Invites You, the third novel published by Paul Halter – who is swiftly gaining a deserved reputation as a deviser of baffling locked room puzzles – is based around the murder of man found dead in his study with the door bolted from the inside, seated at a table set for a meal.  The victim, Harold Vickers, is an author who has gained a deserved reputation as a deviser of baffling locked room puzzles and whose next novel –  Death Invites You – was due to feature a victim found dead in his study with the door bolted from the inside, seated at a table set for a meal.  It is unfortunately never revealed whether Vickers’ victim was an author of some repute working in the field of locked rooms and whose next novel was due to feature such a crime, but, given the hall of mirrors that you enter at the beginning of any Halter narrative, it frankly wouldn’t surprise me…

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#62: Death Invites You by Paul Halter is now available!

Death Invites You

Being the massive Paul Halter fanboy that I am, it is with some delight that I belatedly realise the most recent translation of his from John Pugmire and Locked Room International is now available in print from a variety of sources and in e-book from your favourite rainforest-named purveyor of all things.

A locked-room murder of an expert in locked-room murders, I imagine this is how all crime writers would secretly love to go out.  It’s a fiendish little puzzle that I fully and very enthusiastically recommend, and I’ll get a review up in due course.  And it has that delightfully grotesque cover…what’s not to love?

Go, go quickly…

#52: The Picture from the Past (1995) by Paul Halter [trans. John Pugmire 2014]

Picture from the Past largeA man seeing an old photograph of an unremarkable street scene on the cover of a book and being struck by an overpowering reaction of uncertain origin doesn’t sound like a promising start to an impossible crime novel.  However, it turns out that such an opinion is simply a sign of your lack of inventiveness, as Paul Halter can spin one hell of a tale from just that.  Well, okay, not just that, as there’s also the notorious Acid Bath Murderer going around destroying the remains of murder victims by pouring acid on them – and John Braid, our photo-phobic protagonist, is curiously unwilling to tell his young, trusting and rather new wife what he gets up to every day when he leaves the house.  And he’s rather keen on not letting his briefcase out of his sight…

Of course, Halter then complicates things further by throwing in a parallel narrative set some years previously in which the wife of a wealthy resident of a down-at-heel London suburb is murdered, tracing the impact of that murder upon the woman’s husband and children.  Clearly the two stories must be related, but how?  And who is responsible for the deaths in each thread? Continue reading

#40: Hard Cheese (1971) by Ulf Durling [trans. Bertil Falk 2015]

Hard CheeseJohn Pugmire’s continuing mission to bring us the best unheralded impossible crime stories from around the globe under the guise of Locked Room International now adds Sweden to Japan (Yukito Ayatsuji’s The Decagon House Murders), France (Noel Vindry’s The House That Kills, Henry Cauvin’s The Killing Needle, plus ongoing translations of the wonderful Paul Halter) and England (Derek Smith’s criminally ignored Whistle up the Devil and Come to Paddington Fair).  Hard Cheese by Ulf Durling gives us something classically locked room – man dead in hotel room, door locked on the inside – and adds to it a knowing wink at just about every mystery convention going: the dying message, the inverted mystery, the had-I-but-known, the least likely suspect…even when these ideas aren’t being explicitly used, Durling is throwing out casual references to the tropes and traps of the genre.  Add name-checks to John Dickson Carr, Agatha Christie, Freeman Wills Crofts and others, and clearly here is a man who knows whereof he writes.

The book is split into three unequal sections, each told by a different first-person narrator.  First up is Johan Lundgren, one of a trio of elderly gentlemen who meet weekly to discuss crime novels:

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#33: The Killing Needle (1871) by Henry Cauvin [trans. John Pugmire 2014]

Killing NeedleIt is difficult to believe that Arthur Conan Doyle ever intended for his Sherlock Holmes stories to be as influential as they have proven to be.  Not only are we still churning out variations on his characters in print and on radio, television and film but such is the fascination with his detective that something published before Conan Doyle even put pen to paper can achieve retrospective interest because of the similarities between the two.   And so Locked Room International published this translation of Henry Cauvin’s debut novel The Killing Needle, wherein a skeleton-thin genius master of disguise who shuns social norms, declares “In my case, the brain dominates everything and is continually boiling over.  This fire is eating me up and doesn’t leave a moment’s peace.  The mind!  The mind is a vulture that’s eating me alive” and takes opium (though in this case “to help me get some much-needed sleep”) has his adventures in crime-solving related by a doctor who becomes his confidant after being introduced by a mutual friend …yeah, okay, that’s a lot of overlap right there.

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#30: The Tokyo Zodiac Murders (1981) by Soji Shimada [trans. Ross & Shika Mackenzie 2004]

Tokyo ZodiacSome families have all the luck – take the Khardashians, for example, who are universally blessed with charm, intelligence and talent – whereas some miss out altogether.  Into this second category would definitely fall the Umezawa clan: not only is patriarch Heikichi found battered to death in his locked art studio, his eldest daughter is then found murdered a few months later and, following that, his six other daughters, step-daughters and nieces all disappear simultaneously and their dismembered bodies are discovered at various intervals buried in different locations around Japan.  Then it turns out that Heikichi Umezawa had written a document outlining his intention to do exactly this to these women, with methods of murder and disposal based on their zodiac signs, so the mystery of who could have carried out his nefarious scheme raises its ugly head and remains unsolved for decades…

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#11: Five to Try – Non-Carr impossible murders

Simple criteria: novels only, readily available, not conceived in the fertile ground of John Dickson Carr’s imagination.  I’ve also restricted the impossible crime to being the comission of the murder – people stabbed or shot while alone in a room, effectively – more to help reduce the possible contenders than anything else.  Several stone cold classics are absent through the inclusion of other invisible events but that’s a future list (or five…).

Carr – doyen of the impossible crime, responsible for more brilliant work in this subgenre than any other three authors combined – will eventually get his own list (or five…), I just have to figure out how to separate them out; restricting it to five novels was hard enough for this list, but if you’re looking to get started in locked room murders these would be my suggestions:

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#6: The Phantom Passage (2005) by Paul Halter [trans. John Pugmire 2015]

Phantom Passage, TheUnder the guise of Locked Room International, John Pugmire has been providing English translations of (among others) Paul Halter’s impossible crime novels for a few years now, and there can be little more fitting than his latest effort as the opening salvo in my cataloguing of the undoable provably done.

It really is time we started appreciating Halter on his own terms, so let’s mention John Dickson Carr now – hey, I adore the man, so don’t think I’m being dismissive – and look at what makes Halter stand apart.  Carr undoubtedly revolutionised the impossible crime/locked room genre and left a wake that it’s sill virtually impossible to sail in these waters without disturbing, but Halter is increasingly showing himself capable of the impossible.  After some nice touchstones in the earlier LRI works – murderers leaving no footprints in snow or mud (The Lord of Misrule/The Seven Wonders of Crime), impossible body-swaps in locked rooms (The Fourth Door) – we’re now getting to see a greater diversity in Halter’s imagination and smoothness in his realisation.  The ‘murder by genie’ in The Tiger’s Head was a lovely riff, the central idea of The Crimson Fog was superbly realised (please don’t find out what it is in advance, you really should read the book in total ignorance), and now The Phantom Passage goes even futher.

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