In GAD We Trust – Episode 17: The Hardboiled Golden Age on Page and Screen [w’ Sergio @ Tipping My Fedora]

After watching detective fiction play out in the drawing rooms of ivory towers for too long, I’m heading into the mean streets to get some grease under my nails, a shiv waved in my face, and probably a cosh to the back of my head. Thankfully, Sergio, who oversaw a great deal of this stuff in books and on film at Tipping My Fedora has consented to accompany me and keep me as safe as he can.

Continue reading

#447: The Criminous Alphabet – A is for…Alibi [Part 2 of 2]

A is for

Last week I talked — at great length — about the alibi in crime and detective fiction as utilised by the criminal working alone.  This week, I’ll hopefully find as much (or, depending on your feelings about last week’s post, maybe less) to say where more than one criminal is involved, and then if there’s time I’ll diverge into crimes where there is no alibi.

Continue reading

#22: The Nine Wrong Answers – Popular Authors Who Fail to Impress

Much like you – well, exactly like you, I’d imagine – there are authors I love and authors I don’t.  Almost as a counter-point to last week’s My Blog Name in Books, here is my list of nine ‘classic’ crime authors whose work I’m unlikely to ever touch again and – in some cases – whose continued popularity is, in all honesty, a complete mystery to me.  I cast no aspersions by this, it’s just interesting to throw some ideas around and get a sense of people’s tastes and preferences.

As ever, there are rules: they must be dead (I’m not one for trolling), I must have read at least four of their books (to give them a fair chance) and they must fall into my self-imposed 1920 to 1950 envelope.  Presented alphabetically by surname, too.

Continue reading