A recent reflection on the Orion Crime Masterworks series that first got me into classic-era crime and detective fiction has brought me back to Double Indemnity (1936) by James M. Cain, the sixth title in that series and my first proper encounter with anything Noir-ish on the page.
Continue reading
I’ve written before about the impact the long-defunct Orion Crime Masterworks series had on my discovery of classic-era crime and detective fiction, and a recent pruning of my shelves brought back to me many of the happy memories from those books. So today, I’m going to run through the ten which left, perhaps, the strongest impression on Young Jim.
Continue reading
That title is doing a lot of work, isn’t it? Fair warning: this goes on a bit.
At the online Bodies from the Library conference last weekend, I gave a talk inspired in part by E.M. Wrong’s introduction to the 1926 anthology Crime and Detection. And, in addition to coining the term “Wellington of detection” that inspired the thinking I laid out last weekend, there is plenty of material in that piece of prose to get the cogs turning.
Continue reading
After watching detective fiction play out in the drawing rooms of ivory towers for too long, I’m heading into the mean streets to get some grease under my nails, a shiv waved in my face, and probably a cosh to the back of my head. Thankfully, Sergio, who oversaw a great deal of this stuff in books and on film at Tipping My Fedora has consented to accompany me and keep me as safe as he can.
Continue reading
The Invisible Event 