Historical Mystery

In GAD We Trust – Episode 16: Modern Writers in the Golden Age Tradition [w’ Puzzle Doctor @ In Search of the Classic Mystery Novel]

/ JJ / 42 Comments

Let’s get the new year off to a happy start by showing some appreciation for contemporary authors who make life difficult for themselves by upholding the traditions of Golden Age detective fiction in their own works. And, if you want to discuss modern detective fiction, few are better-placed than Puzzle Doctor, a.k.a. Steve from In Search of the Classic Mystery Novel.

Continue reading →

#728: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #15: The Devil and the Dark Water (2020) by Stuart Turton

/ JJ / 18 Comments

While I don’t quite share the optimism of my fellow impossible crime aficionado TomCat that a second Golden Age of detective fiction is on the horizon, there can be no denying that some great neo-orthodox detective novels have been written in recent years by the likes of James Scott Byrnside, Anthony Horowitz, and (with a heavy emphasis on the neo) Stuart Turton.

Continue reading →

#704: “That’s an interesting choice of phrase, young man…” – The Dead Sleep Lightly (1983) by John Dickson Carr [ed. Douglas G. Greene] Part 1 of 2

/ JJ / 16 Comments

It’s fair to say that no-one has done more for the curation of John Dickson Carr’s work than Douglas G. Greene: collecting various obscure short pieces in the likes of The Door to Doom and Other Detections (1980), Merrivale, March, and Murder (1991), and Fell and Foul Play (1991), writing the staggeringly comprehensive (and recently reprinted) biography The Man Who Explained Miracles (1995), and enabling, through Crippen & Landru, publication of two — soon to be three — collections of Carr’s radio scripts edited by Tony Medawar.

Continue reading →

#691: Off the Record (2010) by Dolores Gordon-Smith

/ JJ / 5 Comments

Off the Recordstar filledstar filledstar filledstar filledstars
You know the drill: two men in a meeting, a shot rings out, one of them is found with a bullet in him, the other holding the gun that fired it.  Stir in a “But he was already dead when I got here!” and simmer until an associate of an-amateur-sleuth-with-a-friend-in-the-police asks them to get involved (usually for personal reasons).  That Off the Record (2010) follows this recipe so perfectly is a credit to how perceptively Dolores Gordon-Smith has assimilated the Golden Age detective novel, because never does it feel just like we’re jumping through hoops for the sake of it.  The setup is familiar, but never less than engagingly handled.

Continue reading →