I haven’t updated you on my progress with Detective Conan for a while, so now seems like a good time to discuss the elements that make this on-going one-man Manga both so very, very brilliant and so very, very meh.
For December, those of us who collect once a week under the banner of The Tuesday Night Bloggers (it’s an open thing, by the way, so please do get involved if you’re moved to) are looking at anything which falls under the term ‘foreign mysteries’ — be that mysteries in translation, or anything set outside of the traditional Golden Age habitat of the UK or the USA. And today I’m looking at Gosho Aoyama’s Case Closed (a.k.a. Detective Conan) manga from Japan.
“The impulse for this novel,” says Adam Roberts “was a desire to collide together some of the conventions of ‘Golden Age’ science fiction and ‘Golden Age’ detective fiction, with the emphasis more on the latter than the former.” Well, count me in! Sure, the authors he then cites (Margery Allingham, Ngaio Marsh, Dorothy L. Sayers, Michael Innes) don’t all fill me with delight, but this is a collision of my two favourite genres plus impossible crimes — how could I pass it up?! And it would have passed me by entirely had not blog-commenter ravenking81 brought it to my attention, so my most genuine thanks for that; at its best it’s a fascinatingly successful attempt at merging the two genres in a way that recalls both Isaac Asimov and John Dickson Carr, who, y’know, are the two finest authors to have worked in their respective genres. So that’s a good thing. By definition, however, it is not always at its best. Continue reading →