We tend to take it for granted that authors like John Dickson Carr and John Rhode created noms de plume effectively to enable them to produce double the amount of their usual fiction. Central character names aside, Rhode’s works don’t really differ from ‘Miles Burton’s nor Carr’s from that of ‘Carter Dickson’. You’d think they’d want a day off every now and then (and their critics might suggest they could have used one). One would expect a new identity to be quite freeing — see Agatha Christie occasionally escaping into the social concerns of ‘Mary Westmacott’, or Anthony Berkeley rearranging his palette as ‘Francis Iles’ — a chance to experiment in private, as it were.
Thanks to the recent reprints by Ramble House, a few years ago I discovered the Chief Inspector Edward Beale books written by Ernest Thornett under the nom de plume Rupert Penny. Puzzle-dense and complex beyond belief, they were a joy to my pattern-obsessed brain and, having now read all eight of them, my mind immediately moves to the concept of placing them in a hierarchy.
The plan for April, since I was off gallivanting around during March and got virtually no reading at all done, had been to dig through some obscure books on my TBR and bring to light titles perhaps unjustly forgotten. But one, two, three duds passed in a row, and so instead I leap into the welcoming arms of Rupert Penny. Cue the swift vanishing of a box of chocolates and a bottle of potassium cyanide at Anstey Court boarding school, and the roping in of Chief Inspector Edward Beale by Assistant Commissioner Sir Francis Barton — whose son is a pupil — to figure out what malice, if any, is behind it all.