I tend to read multi-author anthologies over — if I’m honest — a couple of months, to better ameliorate the often wild changes in style and content of each tale. In recent times I’ve sped this process up, so that I’m able to review the annual Bodies from the Library (2018-present) collections on this very blog, so let’s see how I fare doing the same for the latest Martin Edwards-edited collection in the British Library Crime Classics range, eh?
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You’ll be aware by now, I hope, that I’m quite the fan of a locked room murder. That quantal aspect of something that can’t have happened but nevertheless did tickles me greater the more I read, and so the republication of anything from the classic era is always a cause for celebration. The British Library continue their excellent Crime Classics series with this, their first impossible crime, in which elderly spinster Mary Gregor is found dead in her locked and bolted bedroom (a nice touch with the door lock forestalls the prospect of jiggery, and indeed pokery, there) with no sign of a weapon and the blow that killed her containing the scale from a herring and so stirring up superstitious rumours of merman-like ‘swimmers’ finding their way in to dispatch her.
There is a branch of Mathematics known as combinatorics which studies the interactions of countably finite discrete sets. Or, in English, it’s the formal study of combining things in all the possible ways they can be combined. It’s a little bit like doing a jigsaw by picking up one piece and then going through the box to try every other piece to find one that fits with that piece, and then going through again to find another piece that fits with those two…and so on until you’ve finished the picture. Approximately a third of the thesis I wrote in my final year of university was based in a combinatorial approach to solving a particular problem (I shall spare you the details), and the formalisation of what sounds like an exceptionally dull way to go about something took on for me a particular beauty in the context of all the mathematics I has studied to that point.
Duchlan Castle is a gloomy, forbidding place in the Scottish Highlands. Late one night the body of Mary Gregor, sister of the laird of Duchlan, is found in the castle. She has been stabbed to death in her bedroom – but the room is locked from within and the windows are barred. The only tiny clue to the culprit is a silver fish’s scale, left on the floor next to Mary’s body. Inspector Dundas is dispatched to Duchlan to investigate the case. The Gregor family and their servants are quick – perhaps too quick – to explain that Mary was a kind and charitable woman. Dundas uncovers a more complex truth, and the cruel character of the dead woman continues to pervade the house after her death. Soon further deaths, equally impossible, occur, and the atmosphere grows ever darker. Superstitious locals believe that fish creatures from the nearby waters are responsible; but luckily for Inspector Dundas, the gifted amateur sleuth Eustace Hailey is on the scene, and unravels a more logical solution to this most fiendish of plots.Anthony Wynne wrote some of the best locked-room mysteries from the golden age of British crime fiction.This cunningly plotted novel – one of Wynne’s finest – has never been reprinted since 1931, and is long overdue for rediscovery.
The Invisible Event 