#951: Murder in the Basement (1932) by Anthony Berkeley

Murder in the Basement

star filledstar filledstar filledstar filledstars
One of my very favourite detective fiction tropes is the Unidentified Corpse.  It’s at the heart of my favourite E.C.R. Lorac book, one of my favourite Freeman Wills Crofts books, and as a mainstay of the work of R. Austin Freeman is put to wonderful use both traditional and inverted. Murder in the Basement (1932) by Anthony Berkeley also invents the Whowasdunin?, giving us a cast of characters from which the corpse will be produced, and not divulging the identity of the victim until the halfway point. Thankfully, given Berkeley’s tendency to commit to a thought experiment regardless of whether the book that comes out of it is any good, he’s also written an entertaining and very witty novel along the way.

Continue reading →

#927: The Great Hotel Murder (1934) by Vincent Starrett

Great Hotel Murder

star filledstar filledstar filledstarsstars
The tension at the heart of the likes of the wonderful British Library Crime Classics and American Mystery Classics ranges is that they’re reprinting some genuine classics — Home Sweet Homicide (1944) by Craig Rice, The Bride Wore Black (1940) by Cornell Woolrich — whose authors I’d love to comprise their output for the next few years, but likes of E.C.R. Lorac and Mary Robert Reinhart will sell plenty of books to people who aren’t me, despite me feeling better books are out there. So while it would be harsh to say that The Great Hotel Murder (1934) by Vincent Starrett feels like a wasted opportunity, I can safely say that I’ve now read as much Starrett as I have any interest in reading.

Continue reading →