Norman Berrow
#566: The Terror in the Fog (1938) by Norman Berrow






Bill Hamilton, having previously chased hashish smugglers and a werewolf (separately) around Spain, now finds himself in his homestead of Gibraltar contending with a “London particular” fog, three murdered men hanging from the rafters of an abandoned storehouse, and a mysteriously faceless nun intent on causing all manner of havoc. Yes, The Terror in the Fog (1938) is quite unmistakably a Norman Berrow novel — this mixture of superstition and cold, hard murder is Berrow’s bailiwick, and here are glimpses of the very fine novels he would go on to produce — and from early on it feels by far the most confident of his career to this point.
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#546: The 10 Types of Impossible Crime – Categories and Titles from Our Talk at Bodies from the Library 2019







As I wend my merry way through the works of Norman Berrow — this is the seventh book of his I’ve read, thanks to the wonderful efforts of Ramble House in republishing his entire catalogue — I’m forced into a certain awareness: I really like his style of mystery, even though they fall slightly below the standard I’d typically expect. His characters are fun, his situations inventive, he doesn’t bog you down in mucilaginous prose, and the fact that he jumped between five different (albeit short) series plus standalones in his career invited a certain variation in his approaches that stops things getting samey. If the plots occasionally fall short of full brilliance…I can live with that. But it makes things a little tricky from a reviewing perspective.
Sometimes I think it is possible to become jaded from reading too much of the same type of book. I signed up to this GAD blogging lark on my own initiative, and it’s the genre I prefer to read, but the need to get in at least one, and ideally two, a week to meet my own self-imposed deadlines can lead at times to a little disaffection creeping in. Thankfully, via the exemplary work of Fender Tucker’s Ramble House imprint, I have discovered the books of Norman Berrow, and so if my will be wandering I have the option of returning to the lightness and joy of his entertaining milieu. He’s not a plotter par excellence, but I find these books fun in a way that obviates my usual requirements in this direction. Prose before pose, dudes.