#1272: Yesterday’s Murder, a.k.a. Telefair (1942) by Craig Rice


As my grandfather used to say, “When you fall off the horse, get back on the horse”.  And that’s why he lost his job as a stuntman in Western movies. But the fact remains that lately I’ve had some disheartening reading experiences with favoured authors — John Dickson Carr, J.J. Connington, Freeman Wills Crofts, A.A. Fair, Craig Rice, Cornell Woolrich, J.J. Connington again — and so the tempting thing is to leave them alone for a while, wait for that memory to fade, and then return. But, no, I’m not doing that, I’m reading Rice again now, because why not? That’s what the horse is here. It was a literary horse all along.

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#1270: “I flatter myself it is impossible to tell how my stories will end until the last chapter.” – The Clue of the Twisted Candle (1918) by Edgar Wallace

There’s been a some confusing talk of horses here lately, so let’s abandon that metaphor for now and turn to an author who is often entertaining without any weighty expectations of being good: cue Richard Horatio Edgar Wallace and The Clue of the Twisted Candle (1918).

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#1269: The Brandon Case, a.k.a. The Ha-Ha Case (1934) by J.J. Connington


As my grandfather used to say, “When you fall off the horse, get back on the horse”. And that’s why he lost his job and the Health and Safety Officer at that horse riding school. But the fact remains that lately I’ve had some disheartening reading experiences with favoured authors — John Dickson Carr, J.J. Connington, Freeman Wills Crofts, A.A. Fair, Craig Rice, Cornell Woolrich — and so the tempting thing is to leave them alone for a while, wait for that memory to fade, and then return. But, no, I’m not doing that, I’m reading Connington again now, because why not? That’s what the horse is here. It was a metaphorical horse all along.

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#1267: “Simple, isn’t it? Simple enough to hang a man.” – Fen Country [ss] (1979) by Edmund Crispin

A posthumous collection occasionally wrong billed as “Twenty-six stories featuring Gervase Fen” (there should really be, at least, a comma after ‘stories’, since series detective Fen isn’t in all of them), Fen Country (1979) was, I believe, the first collection of Edmund Crispin’s short fiction I read. And now I’m back, to get some thoughts on record.

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#1266: Constable, Guard Thyself! (1934) by Henry Wade


I was one of many Golden Age fans who was quite excited when Orion’s now-defunct Murder Room acquired the rights to the novels of Henry Wade. And I was one of many Golden Age fans who signally failed to buy any of those titles and read and review them, which in part resulted in the aforementioned defunctness. But when titles began to vanish from availability, I snapped a couple up, including Constable, Guard Thyself! (1934) on the understanding that it presented an example of my favourite subgenre, the impossible crime. So, now that you can’t buy it for yourself, I’m here to say that, yeah, it’s fine, and that Wade, like J.J. Connington, presents enough of interest in his procedural approach to warrant further reading.

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