#884: Minor Felonies – Poached (2014) by Stuart Gibbs

Expanding on a book by writing a sequel is a tricky proposition; you need to retain what made the first one (hopefully!) good and yet also give something new to make such an expansion worthwhile. Poached (2014), the second entry in Stuart Gibbs’ FunJungle series, thankfully does some very good work in building on the world of first book Belly Up (2010)…and throws in an impossibly-vanished koala for good measure to spice up the intrigue.

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#878: Minor Felonies – Kidnap on the California Comet (2020) by M.G. Leonard and Sam Sedgman [ill. Elisa Paganelli]

Following my recent podcast chat with M.G. Leonard and Sam Sedgman, and the nomination of this very title for an Edgar award, let’s catch up with the Adventures on Trains series. “It’s unlikely we’ll encounter another adventure quite like the last one,” Nathaniel Bradshaw tells his nephew Harrison ‘Hal’ Beck as they take their seats on the California Comet. But we readers, aware that the title of this book is Kidnap on the California Comet (2020), know better…

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#875: Little Fictions/The Cornerstones – Two Bottles of Relish and Other Stories, a.k.a. The Little Tales of Smethers [ss] (1952) by Lord Dunsany

Well, look, it was bound to go wrong, wunnit? In four weeks of reading and writing about Cornerstone titles, assessing their merits and examining whether I felt they added anything to the corpus of detective fiction, I should have foreseen coming across one absolute dud. And trust me to get confident after three (largely) enjoyable weeks and leave this too late to replace with anything else, eh? Right, let’s get this over with.

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#872: Little Fictions/The Cornerstones – Max Carrados [ss] (1914) by Ernest Bramah

Max Carrados (1914) was the first collection of stories to feature Ernest Bramah’s eponymous aristocrat, blinded in an accident before deciding to turn his hand to detection, and another entry on the Haycraft-Queen Cornerstones list. Certainly the concept of a blind detective is novel enough to capture the imagination, but does Bramah do enough with the potential here to warrant consideration as one of the foundational texts of detective fiction?

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