#1341: Miss Winter in the Library with a Knife (2025) by Martin Edwards


“[H]ow stressful can this game really be? A few nights in a peaceful hamlet at Christmas, trying to make sense of a puzzle? What could possibly go wrong?”. Well, an unseasonally heavy snowfall could maroon everyone, and then a murderer could start picking off the isolated denizens of the peaceful hamlet of Midwinter. But, if they can survive the slaughter, the six people who have been invited by the Midwinter Trust to take part in the competition, called Miss Winter in the Library with a Knife, are unlikely to want to leave because the prize they can win is…well it’s fabulous, isn’t it? It must be. Although, now you come to mention it, what is the prize?

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#1338: The Black Angel (1943) by Cornell Woolrich


It’s been over two years since I reviewed any Cornell Woolrich, which seems incredible when you consider how completely I loved his work when he first started appearing on The Invisible Event. But, well, behind the scenes I’ve struggled through some of his stuff — the doom-drenched but ooooooverlong The Black Alibi (1942) and the somewhat tedious, Francis Nevins-edited Night and Fear [ss] (2004) collection — and lost the name of action, so to speak. But you can’t keep a good fan down, and so it’s back to the novels and The Black Angel (1943), which interestingly finds a new way to explore themes and approaches that would seem to recur throughout Woolrich’s oeuvre.

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#1335: The Man Who Slept All Day (1942) by Craig Rice [a.p.a. by Michael Venning]


Reading her novels chronologically, I’m moved to declare that 1942 was a big year for Craig Rice. Prior to then, she had written five fast-moving, wildly inventive mysteries featuring wisecracking lawyer John J. Malone and Jake and Helene Justus, but 1942 saw Rice diversify with (not necessarily in this order) a Malone novel in The Big Midget Murders (1942) that ramped up plot complexity, The Sunday Pigeon Murders (1942) taking on a new setting with a more dim-bulb presence at its core, atmosphere overwhelming the slow-moving Telefair (1942) and now, with The Man Who Slept All Day (1942), long character-work taking over from plot mechanics so that you really do care about the people involved. That noise you hear is the stretching of some wings.

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#1333: “Why shouldn’t I know? I know how people act, don’t I?” – My Mother, the Detective [ss] (2016) by James Yaffe

I first encountered James Yaffe via his story ‘The Problem of the Emperor’s Mushrooms’ (1945), but have heard much about his ‘Mom’ stories, in which a police officer’s mother “is usually able to solve over the dinner table crimes that keep the police running around in circles for weeks”. So I was delighted to acquire the complete collection of those tales.

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#1332: Pontifex, Son and Thorndyke (1931) by R. Austin Freeman


One sympathises with Martin Edwards when he says that he found the style of the opening pages of Pontifex, Son and Thorndyke (1931), the nineteenth book and thirteenth novel by R. Austin Freeman to feature medical jurist Dr. John Evelyn Thorndyke, “off-putting”. I am an avowed Freeman fan, this being the 19th book by him I have read, and I nearly quit on page 2. But if you persevere, dear reader, you’ll find an interesting story with some very, very good detection indeed that definitely improves once Freeman curbs his initial pomposity…though the book as a whole does suffer slightly from an absence of content to fill out the closing few chapters

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#1330: “We’ll all come under suspicion sooner or later, mark my words.” – Not to be Taken, a.k.a. A Puzzle in Poison (1938) by Anthony Berkeley

I first read Not to be Taken, a.k.a. A Puzzle in Poison (1938), my debut experience of the work of Anthony Berkeley, after happening across a Black Dagger Crime edition in about 2005. And I bloody hated it. Over the years, however, I’ve come to love Berkeley’s work, so the recent reissue of the title in the British Library Crime Classics range was a (welcome…?) chance to reappraise it.

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#1329: The Greene Murder Case (1928) by S.S. van Dine


Having curbed the slaughter in his first two books, S.S. van Dine’s early promise that The Greene Murder Case (1928) is “the first complete and unedited history of the Greene holocaust” certainly sets you up for carnage galore. And the book offers this and more: a veritable cornucopia of almost everything the detective novel should have, as if, having learnt from his opening brace, Van Dine was keen to cram in just about every trick, revelation, and reversal1 he could possibly envisage. And yet, for all its trappings, the book does suffer from the same problem as its predecessors in that the killer is blindingly obvious, and no amount of telling me otherwise will change my mind.

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#1327: “There’s a plain, logical solution to the whole business…” – The Case of the Substitute Face (1938) by Erle Stanley Gardner

While Brad adopts a thematic approach to reading the Perry Mason novels of Erle Stanley Gardner, I’m more a sort of wander in the meadow, la-la-la, isn’t everything beautiful kinda guy, and so I’m just getting it into my head I want to (re)read one and picking them up on a whim. But let’s attempt some method and stick to the approximate era of the last one I reviewed, eh?

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