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Reading her novels chronologically, I’m moved to declare that 1942 was a big year for Craig Rice. Prior to then, she had written five fast-moving, wildly inventive mysteries featuring wisecracking lawyer John J. Malone and Jake and Helene Justus, but 1942 saw Rice diversify with (not necessarily in this order) a Malone novel in The Big Midget Murders (1942) that ramped up plot complexity, The Sunday Pigeon Murders (1942) taking on a new setting with a more dim-bulb presence at its core, atmosphere overwhelming the slow-moving Telefair (1942) and now, with The Man Who Slept All Day (1942), long character-work taking over from plot mechanics so that you really do care about the people involved. That noise you hear is the stretching of some wings.
Reviews
#1333: “Why shouldn’t I know? I know how people act, don’t I?” – My Mother, the Detective [ss] (2016) by James Yaffe
I first encountered James Yaffe via his story ‘The Problem of the Emperor’s Mushrooms’ (1945), but have heard much about his ‘Mom’ stories, in which a police officer’s mother “is usually able to solve over the dinner table crimes that keep the police running around in circles for weeks”. So I was delighted to acquire the complete collection of those tales.
Continue reading#1332: Pontifex, Son and Thorndyke (1931) by R. Austin Freeman
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One sympathises with Martin Edwards when he says that he found the style of the opening pages of Pontifex, Son and Thorndyke (1931), the nineteenth book and thirteenth novel by R. Austin Freeman to feature medical jurist Dr. John Evelyn Thorndyke, “off-putting”. I am an avowed Freeman fan, this being the 19th book by him I have read, and I nearly quit on page 2. But if you persevere, dear reader, you’ll find an interesting story with some very, very good detection indeed that definitely improves once Freeman curbs his initial pomposity…though the book as a whole does suffer slightly from an absence of content to fill out the closing few chapters
#1330: “We’ll all come under suspicion sooner or later, mark my words.” – Not to be Taken, a.k.a. A Puzzle in Poison (1938) by Anthony Berkeley
I first read Not to be Taken, a.k.a. A Puzzle in Poison (1938), my debut experience of the work of Anthony Berkeley, after happening across a Black Dagger Crime edition in about 2005. And I bloody hated it. Over the years, however, I’ve come to love Berkeley’s work, so the recent reissue of the title in the British Library Crime Classics range was a (welcome…?) chance to reappraise it.
Continue reading#1329: The Greene Murder Case (1928) by S.S. van Dine
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Having curbed the slaughter in his first two books, S.S. van Dine’s early promise that The Greene Murder Case (1928) is “the first complete and unedited history of the Greene holocaust” certainly sets you up for carnage galore. And the book offers this and more: a veritable cornucopia of almost everything the detective novel should have, as if, having learnt from his opening brace, Van Dine was keen to cram in just about every trick, revelation, and reversal1 he could possibly envisage. And yet, for all its trappings, the book does suffer from the same problem as its predecessors in that the killer is blindingly obvious, and no amount of telling me otherwise will change my mind.
#1327: “There’s a plain, logical solution to the whole business…” – The Case of the Substitute Face (1938) by Erle Stanley Gardner
While Brad adopts a thematic approach to reading the Perry Mason novels of Erle Stanley Gardner, I’m more a sort of wander in the meadow, la-la-la, isn’t everything beautiful kinda guy, and so I’m just getting it into my head I want to (re)read one and picking them up on a whim. But let’s attempt some method and stick to the approximate era of the last one I reviewed, eh?
Continue reading#1326: Bedrooms Have Windows (1949) by A.A. Fair
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The twelfth published novel from Erle Stanley Gardner under his A.A. Fair nom de plume, Bedrooms Have Windows (1949) finds L.A. P.I.s Bertha Cool and Donald Lam once more skirting the law in pursuit of a case whose precise shape is obscured by the sheer number of actions dragged across its trail. And while this should be getting pretty tiresome by now, the truth is that since series nadir Crows Can’t Count (1946) Fair has delivered some blisteringly fast and fun little crime thrillers that go a long way to show how to write entertainingly: let everything fly at the page, and have someone as unshakeable as Donald on hand to unpick whatever madness you throw him into.
#1324: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #28: With a Vengeance (2025) by Riley Sager
Fun fact: I did not pick up With a Vengeance (2025), the ninth novel by Riley Sager, because I knew it featured an impossible crime. In fact, I’m not even sure it does feature an impossible crime. But it might, and I had a lot of fun with this book, and those two points alone are enough to justify me writing about it.
Continue reading#1323: The Deadly Percheron (1946) by John Franklin Bardin
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I first heard of The Deadly Percheron (1946), John Franklin Bardin’s debut novel of identity and madness, when Anthony Horowitz called it his favourite crime novel in an interview (which I’ve been unable to find, so [citation needed] that for now). And then Kate loved it and Brad loved it and so, with this Penguin reprint newly available, I had to check it out. And, honestly, I don’t see it. It opens well — a man visits a psychiatrist, telling stories of leprechauns who have hired him to perform bafflingly inane tasks — and entertains for the first three chapters, but once the key thrust of the plot is reached it grinds to a halt, and only really comes alive again in a closing monologue that brushes most of the things that don’t make sense under the carpet.
#1320: A Minor Operation (1937) by J.J. Connington
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If the year 2020 will be remembered for anything, it will be that I bought a set of 18 J.J. Connington novels on eBay and started my way through them. Of those 18, only A Minor Operation (1937) — Connington’s sixteenth novel and the eleventh to feature Chief Constable Sir Clinton Driffield — showed any signs of being read, implying that this one book alone was bad enough for the seller to completely eradicate Connington from their shelves. Well, having finally reached this accurséd title, I really enjoyed it — finding it one of the strongest of Alfred Stewart’s books yet, only lacking in the final stretch with a too-casual reveal of our killer and a motive that’s perhaps a little too complex to really hit home.









