A certain amount of debate continues to rage — “rage” might be too strong a word — over whether the impossible alibi qualifies as a true impossible crime. I suggest that, should it eventually be inducted into future Locked Room Murders supplements, we do so on a ‘one out, one in’ policy and retire the “death by unknown means” to make space.
Cast triskaidekaphobia aside! Sure, these modern impossible crime novels haven’t always shown the subgenre at its best, but Paul Johnston was one of the many contemporary crime fiction authors I read back in the early 2000s, and a chance to reconnect with him and the series that made his name can only be a good thing…right?
It was with tremendous excitement that I greeted the news of a third Mycroft Holmes novel from Kareem Adbul-Jabbar and Anna Waterhouse, as the continuation of this series brings joy to my old and weary heart.
I started, but did not finish, Daniel Cole’s debut novel Ragdoll (2017), which seemed to me a gruesome hook followed by a lot of meandering prose. Endgame (2019), his third novel, promised me a dead body in a locked room and so, since I’m reluctant to write off anyone after just one book, here we are.
The English language is a funny thing. Take for instance Chris McGeorge’s debut novel Guess Who (2018) which, revolving as it did around a group of people solving a mystery while locked in a room, was marketed as a ‘locked room mystery’ when that is a phrase which has already had another meaning for well over a century.