As a parody of the detective novel, the maverick cop genre, and the low Fantasy genre, Simon R. Green’s Hawk & Fisher takes quite some beating — it is an honestly hilarious take on the tropes of three. I don’t think I’ve laughed so much since reading…well, possibly anything; almost every page contains some wonderful joke or savage undercutting of the false sincerity of the situations encountered, not unlike William Goldman’s timeless The Princess Bride. For instance, Hawk is supposedly an expert in hand-to-hand combat with an axe, but he has only one functioning eye and therefore must lack any depth perception; it’s an absolutely genius piece of subversion, and such examples are rife. The only problem is that I have a sneaking suspicion — only a sneaking one, mind — that this book is in fact supposed to be taken seriously. Very Seriously Indeed.
If you take it seriously, though, it’s utterly ghastly. I mean, the first chapter gives us this:
“Three months,” said Fisher angrily. “Three months we’ve been working on that child prostitution racket. And just when we’re starting to get somewhere, what happens? The word comes down from Above, and we get pulled off the case to go looking for a vampire!”
Goddamn superiors and their sitting behind a desk! Pencil-pushers the lot of ’em! They’ve forgotten what real police work is! But this ‘looking for a vampire’ case — for which they receive much kudos later on, and behave like it was an actual achievement — involves walking down an alleyway, going into an old house, only having the “Bring a stake” conversation when at the door of the house, making an absolute fustercluck of dealing with a known dangerous creature (Hawk loses his axe in the fight…ohno!) because they go in without backup…and then buggering off and deciding to “let the backup unit earn its pay for a change”. And it’s full of dialogue like “We’ve been on some dirty jobs in the past, Hawk, but this has to be the dirtiest”. Now tell me: who among you would want to take that seriously?
At the end of chapter 2, a locked-room stabbing…just sort of happens, which unfortunately interrupts dialogue of this calibre:
“When I discovered the Low Kingdoms were in fact governed by an elected Assembly, presided over by a constitutional monarch with only limited powers, it was as though my whole world had been tipped upside down. How could he be King if he didn’t rule? But the idea; the idea that every man and woman should have a say in how the country shold be run: that was staggering. There’s no denying the system does have its drawbacks, and I’ve seen most of them right here in Haven, but it has its attractions too.”
You know, I begin to believe that science-fiction authors were better at incorporating detective-elements into their work than their counterparts from the fantasy genre, because I can’t think of a single mystery/fantasy hybrid that was a success. Anyone who mentions Randall Garrett’s Too Many Magicians should be mocked and laughed at.
So, I’ll probably give this one a pass.
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There’s definitely a case that the codified nature of most SF will elicit something more in line with traditional detection when the two collide. Fantasy has much more freedom to reinvent key aspects — the werewolves in this, for instance, which can change back into human form whenever they bloody well like — meaning that the precise nature of the universe can be hard to pin down to then make a detection element workable. There’s almost a parallel thread in this situation of the cavalcade of ways this Fantasy universe is totally different from all the other Fantasy universes you’ve thus far encountered (which, y’know, is exactly the same for every Fantasy universe…awks) and inevtiably one of your threads will get lost, much like the structure and intent of this sentence.
What I’m saying is: yes, I agree. This is a very interesting triptych of the genres I mention in the review, but it’s both all of them and none of them. It sort of a country house murder…with two Dirty Harrys…and werewolves and vampires…and an absurd absence of logic even in the narrow focus it gives itself…and if that mix holds no appeal for you, then you’re better off skipping it. But it is bloody hilarious.
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“Someone else is gonna have to read this — and I do encourage you to read it, it’s a riot, just get it cheap — and let me know.”
I will not read this even if it is given free to me. Simply not my cup of tea !
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I’m intrigued as to whose cup of tea it would be, Santosh! I can see a lot of low Fantasy fans reading this in the 90s and then encountering a locked room novel in later life and being quite surprised at how well the ideas of that were adopted in this…but that’s gonna be a very small number of people 🙂
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🙂
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How on earth did you find this?
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I honestly can’t remember. I’ve had a copy kicking around for a while now, and when TomCat put up a post about forgotten or overlooked impossible crimes (I think it was The Locked Room Reader VI on his site) this was on one of the articles he linked to. Suddenly remembering it, I then had to find it, but I feel it was worth the effort. Someone else needs to read this…any takers?
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Just looked at an Amazon preview. There’s the line, “Hawk was tall, dark, and no longer handsome.” I’d say that the author knows exactly what he is doing.
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You, my friend, at are the thin end of Green’s wedge of prose. Such delights await you… 🙂
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Looks like the first three are available in an omnibus. As are the next three as well. Tempting…
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Get it cheap, remember. Cheap!!
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I’ve been dying to see your review ever since I saw the book cover. That may possibly be the best book cover ever. And my mind was reeling with how this could be related to impossible crime.
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I seem to remember thinking the same thing when I bought it, but I do my research thoroughly on obscure books (well, mostly — sometimes I just dive in and perish the consequences) and trusted myself. I’m glad I did. Or I wish I’d never heard of it. Still not sure.
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Simon R. Green is like that. All his books are written with tongue firmly stuck in cheek.
The Deathstalker series is a send up of space operas, Hawk & Fisher parody low fantasy, the Nightside books are humorous takes of urban fantasy (all of them are solved by the protagonist opening his “third eye vision” and suddenly seeing how to undo whatever the evil creatures are doing in that particular novel), the Secret Histories parodies spy novels (with a dollop of fantasy sprinkled in), and the Ghost Finders series are send-ups of conspiracy and ghost stories.
It’s hard to read too many of his works in succession, because they tend to be very samey and relying on the same sort of humour, but I don’t think you have to worry about him being too serious.
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Christian, you’re a star; thank-you! Okay, people, it’s official — don’t take it too seriously, which is frankly the news I was hoping for. I almost feel like I could do another one knowing this; not any time soon, mind, just at some point. Do you know if any of the other H&F books take on a similar crime solving-y structure?
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All of the Hawk & Fisher novels are of this type. I read them last year, but I honestly don’t remember too much about the plots. They’re not the important thing anyway – it’s the parody of the whole thing that matters.
So just try any one of them, or get the two omnibus editions. They contain all six novels, and all of them have some type of mystery setting.
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I’m considering it…so long as it is a deliberate parody 😀
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